Charity Shop mysteries – Waterfront – E.P.

Hello, and welcome to a new feature. Since I’ve been hunting through the charity shops, I’ve garnered a liking for “mystery” CDs. these are CDs from bands that I’ve never actually heard of, bands who never made it big, and independently produced CDs. You know those ones, people who got together in their mate’s garage. It all started a few years ago when I unearthed that Jean Bennet Record waaaay back in 2011, and over the years I’ve had comments from many fans of Jean, found out more than I thought I ever would, and learned that she’d had a more interesting life than I’d ever realised.

Since then, my charity shop travels would often unearth little gems like that. CDs without catalogue numbers, barcodes and even record labels. CDs produced in small numbers, that somehow make their way into the charity shops.

Of course, I’m not buying them just for their music, but to also hopefully shed a bit of light on the band itself, do a little bit of research, and hopefully one day this page will turn up in search results and return some happy memories for those concerned and know that someone, somewhere has a copy of their music.

One reason I’m doing it, is because of the Myspace fiasco that occurred a couple of years back. Myspace was a place where this exact type of band could upload their work, share it with family and friends, and of course, fans. Some time a couple of years ago, the Myspace media player fell silent. Thanks to a “server migration”, terabytes of music and countless tracks by these unsigned bands went up in virtual smoke. To this day, I still don’t believe that this archive of hard work and dedication could have just gone, without warning, with a single click of a Myspace emloyee’s mouse, bit it happened. It’s gone..

Some of these bands took it upon themselves to produce CDs, so thankfully, their music lives on. This first one is exactly one of those bands affected by the Myspace server blackout, so at least 4 of their tracks survive into the 2020s.

This is a CD that I just picked up today. It’s a CD that has their Myspace site on the back cover, and it’s the whole reason that spurred me onto start these, as I knew their music would have been affected by the loss. And, indeed they were.

This one comes from a band called Waterfront. Their Myspace link is still active, but as I predicted, the link to the music has stopped working.

Here’s a couple of pictures of the artwork, and CD. I promise my photography will get more professional as this goes on (No it won’t – Ed.)

The inside of the CD sleeve reads as follows:

Waterfront are:
Sam Willoughby – Vocals & Guitar
David Dowling – Guitar
Pip Coates – Bass & Backing Vocals
Tim Carr – Drums & Backing Vocals

with
Mark Broughton – Keyboards

Recorded @ Digital Gardens on October 24-26 2007
Engineered by Johanas Rawlinson
Propduced by Waterfront
Additional Production by Johanas Rawlinson

Thanks to Matthew Brown, Mark Broughton, Johanas Rawlinson and all our friends and family

All songs written by Waterfront
Copyright Sam Willoughby
All Artwork by Matthew Brown

The CD is a professionally printed CD-R, with decent quality inlays and CD label. There’s no catalogue / matrix numbers anywhere on the disc or packaging. There’s a link in the Myspace profile to “Polinta CD manufacturing”. This could be a coincidence, however, as they’re based in Malaysia.

The four tracks on the CD are as follows…

1 For You (04:05)
2. New Life (04:09)
3. Far Away (04:02)
4. Hate To Say it (04:12)

I have, of course, had a play of it. The first two tracks or my favourite. I could probably get away with playing “For You” on loop for a while and not get sick of it, it’s got some nice acoustic guitar bits and decent bassline to it.

But, what became of the band? Apart from the Myspace profile, very little. It’s proved more difficult than I imagined to track down anything about the band at all. Normally the place where it’s recorded is a good start, but nothing for “Digital Gardens” that I can see in the UK Obviously, it’s coming up to 13 years since this CD was recorded, so anything could have happened. A shame, as I’ve really enjoyed listening to this CD. Had it playing the entire time I’ve been typing this.

EDIT: I’m aware there was a late 80s band called Waterfront. These aren’t the same people.

Let’s Go To Misterland

I’ve been buying music again. Seeing as this blog’s been going on for 20 years, I’m bound to have touched on this subject before, but seeing as I can’t remember, I’m sure you, my dear reader won’t recall either. Today, I’ve had good reason to revisit this subject… so how did my love for music begin, and how did it flourish into what could be classed an a compulsive collecting disorder, or something?

Some of my earliest memories are in my dad’s car. I’m sure he had a particular tape that had “Hang On Sloopy” by The McCoys taped onto it. I’d go so far as to say this was my first musical memory. I’m sure at this point, I must have shown some interest in music, as for Xmas 1984, I got my first ever record player. It was a Fisher Price jobby. Beige in colour, with an orange turntable, and a massive orange tone arm. I have a photo somewhere, but unfortunately, you’ll have to make do with a photo of me opening my presents on what may have been the same day, or it may have been the year after.

Gosh darn it, I’m close to reminiscing about that brown sofa now. Anyhoo. Xmas came, and I got a small selection of records, all perfectly suited for a child of this age…

“Do They Know It’s Xmas” – It’ll have been the most popular record at the time.
“We All Stand Together” – Paul McCartney and The Frog Chorus
“Child’s Play” – a BBC record containing tracks interesting for kids, including the Dr. Who theme, some stories, and a couple of tracks containing Floella Benjamin.
“The Mr. Men Songs”. Featured Arthur Lowe. Another BBC record. Originally released on Pye records
“Stories from Playschool”. A spoken-word record, containing, as it suggests, stories from Playschool.

One main problem with this setup, is that this was a real record player. It played real records, from a real stylus. Sadly, after years of playing everything from Band Aid to biscuits, the turntable finally gave up the ghost. The player “went into storage”, also known as the black bin bag at the side of the road, and most of the records suffered a similar fate. As my childhood grew, I’d moved onto tapes, or rather, taping stuff off the radio, outgrowing these kid’s records.

Fast forward to 1991. My dad brought home a music centre from work. Not sure how he got hold of it. Maybe one of the customers wanted shot of it? Don’t know. Either way, it ended up in our possession, and I was thrilled to finally have a proper music system. It then came to see what records I had to play on it…

I had a choice of either “The Mr. Men Songs” or “Child’s Play”. The rest had went to the great jukebox in the sky. I still have tapes of me doing pretendy radio stations from back in the day featuring selected tracks from these two records. Eventually, these scratched kiddy records went out of circulation, for the final time, eventually becoming part of experiments involving light bulbs and sharp things. Years and years passed, and about 5 years ago, I founf the Mr. Men record smashed under a ppile of old boxes in the cupboard. It was then that I started regretting my actions. A small part of my brain gnawed away at me, wanting to hear some of those songs again. I thought it’d be interesting to hear them with a proper setup, not like the mono little record player, and not like the jumping, scratched mess I forced the music system into playing.

Turns out it’s been particularly hard to find in the second-hand market. Most copies probably just got scratched or thrown away, when the child grew up. After all, it’s not going to win an Ivor Novello award any time soon, but thankfully, I never grew up, and there’s been a little part of my brain dedicated to its memory.

Over the years, I learned it was arranged by Keith Mansfield… the very same guy who composed so many BBC themes, and who gives his name to the KPM music library (I believe). The lyrics were written by Roger Hargreaves himself.

Well, after years of searching I finally found a copy… on tape! Yesterday, I was in Northallerton, which Chris, and after spending more time and money than I really should have in a certain brilliant record shop, I headed round the charity shops. the last one I went into was the Blue Cross shop, near the end of the high street. The CDs weren’t up to much, so I had a look through the tapes. There it was, in all of its plastic glory. The sticker said £1.49. Oof. I’ve paid much more for much worse so I waddled off to the counter, with tape in hand. Turns out it was only 20p, and I only had a tenner, after I’d fed the parking machine gods all of my loose change earlier on in the day. Chris had disappeared outside by this point so I sheepishly handed over The Queen, and while the lady showed the trainee cashier how to use the till, I explained pretty much everything I typed above.

SO, yeah. It’s a bit of an embarrassing purchase, but there’s just something about those 1970s graphics and that BBC logo that will always hold a place in my heart. I’ve yet to play it… it came out in 1979, so no idea what 40 years have done to it.

And yes, I’m well aware that it was originally released on Epic Records back in 1976. It says so on the cover. Oh, here, have some photos of it. (This is your worst closing line ever – Ed). Oh, shut up.

As of December 2019, I’ve played and converted this. It really is as catchy as I remember. In parts, anyway.

ITV Racing music

Do you watch the racing on ITV? Do you like the double-bassy, mute-trumpety music they use when introducing the runners and riders for each race? Do you wish you could own a copy of this music, or at least stream it on somewhere like Spotify? Well, now you can!

It’s title is… Drum Roll Please…. “Les Fleurs” by 4 Hero, released on their 2001 album “Creating Patterns”.

I’ve been after it for ages, so I thought someone else might have been too, hence the blog post. Turns out I’ve had the exact track on a compilation CD for ages and never realised. Minnie Riperton originally performed the song in 1970.

Also, the flutey music they use when going into a break (not part of the main theme, which is also pretty flutey) is the instrumental version of “Go Do” by Jonsi.

The actual theme was composed especially for the program, and to my knowledge, has never been commercially released.

We will return you to your scheduled programming shortly. *cough*.

UPDATE: Well, that didn’t take long, thanks to the reliability of Discogs, I’ve got the single in my collection now, which contains the instrumental version.

Hartlepool Record fair – just a few days to go!

What’s black, 12 inches long, and guaranteed to bring a smile to my face? Yes, that’s right. A record.

And on the end of that terrible, and actually non-factual joke (I collect singles mainly), I’m happy to announce that for the first time this millennium, the lovely little fishing village of Hartlepool is getting its own record fair! (Would help if I mentioned the date. It’s this Sunday, March 31st. Oops)

It only seems a mere 20 years ago, since I was rummaging through boxes, buying “Morning Train (9 to 5)” by Sheena Easton, because I thought it was the *other* “9 to 5″, you know, the one by Dolly Parton. Little did I know that those particular memories would be the last ones I’d make for 20ish years, and I’d have to satisfy my record hoarding hunger through other methods, and other towns with their own record fairs.

Let’s get the formalities over with, If you’ve found this through Google, or something similar because I mentioned the record fair in Hartlepool (sutble), and you want to know how to get there, then it can’t be easier. If you’re coming by train, head out and look for the big church. Walk towards the church, and look for a zebra crossing on your left. That’s Tower Street. Walk about 100 yards along that road, and there’s be a building on your right that looks like a smaller church. That’s it. That’s the Studio, and that’s where the record fair is. It’s really easy to get to.

I’m also not affiliated whatsoever with the record fair runner, I’m just over the moon to have one in my home town again, and if the fair is well attended, there’ll be more, and I’ll be a very happy bunny.

We now return you to your usual programming, of me rambling about crap that happened recently, and yes, mainly record fairs.

So, erm… yeah. How to sum up 20 years aof record fairs. For me, they go way back. Pretty much my entire adult life. The late 90s were a strange time for music. Vinyl record sales were dramatically on the decline, CDs were still the in-thing. Music downloads were something done illegally, and streaming was something you did in a dark alley on the way home after 15 pints in the pub.

The art of the record fair was also in decline. It never truly died off, but it’s safe to say it went into hibernation. Fast forward many years. I’d lost my hair, my beer gut took pride of place around my midriff, and all of a sudden, vinyl was back in vogue again, and so, the humble art of the record fair returned.

I think the first one I went to (in the recent batch) was back in 2013, then the owner of Betterdaze (a record store in Northallerton), arranged one. It must have had a good attendance, as more were arranged, along with others in Northallerton. Looking back through the collection, I’ve came back with some cracking stuff from all of them. I mean, who could turn down a 12” pressing of “Seven Tears by The Goombay Dance Band, on clear yellow vinyl? Not me! I picked it up from Middlesbrough on 12th September 2015.

Recently, I’ve travelled as far as Leeds, just to get toa record fair. They was an ordeal. Absolutely worth it for the German pressing of “Downtown” and “Another Man“by One 2 Many. In fact, you can view all of the records I bought that particular day.

So, in conclusion, yes, if you attend this record fair, there is a very high possibility I will be in attendance. Say hello. Actually, no, don’t. I don’t mix well with strangers, and I’m out the night before, so there’s a strong chance I’ll be hanging out my hoop, and not willing to talk to anyone.

If you do go, I hope you find some bargains!

RIP Mark Hollis

Less than a minute ago, I learned of the sad and untimely passing of Mark Hollis, the lead singer of Talk Talk, definitely one of my favourite bands of all time.

Wow. I don’t know what to say. I found the news completely by chance. I have a site bookmarked that lists the most recent pictures to flickr, and someone posted a picture of a Talk Talk single cover. “Wooh, I like that song”, I thought, as I randomly clicked. Up came the hashtag #RIPMarkHollis

I… I’m speechless. This post will be strewn with errors, and I don’t know if it will “make it to air” any time soon, as I’m not sure if the battery will last, but… my word.

I’m just typing a stream of consciousness right now. I genuinely loved a load f their stuff. Teearly stuff, like the single “Talk Talk” (demo version was called “Talk Talk Talk Talk”) to the commercially acceptable “It’s My Life”, the dark and grungy piano loop of “Life’s What You Make It”, which is upthere in my all-time favourite songs. There was, of course, its utterly deplorable 1990s remix (which I own a copy of), completely disowned by the band – to the point that when they released “A Sides and Besides”, they took the piss out of it, and included the original 12″ mix, with the liner notes reading something like “Trust us, this one’s better”.

Another favourite is “Pictures of Bernadette”, and the altogether weirdness of “Happiness Is Easy”, with its strange, almost lacklustre choir of children singing some of the lyrics, and bass line that just goes anywhere it wants in parts.

I’m keeping a low profile on social media at the moment, as it jolly well sucks, but this news has made me break out the keyboard. It’s my life, don’t you forget.

My new toy

What’s got 2 legs, drinks crap beer and spends far too much in charity shops?

Well, I doubt I even need to answer that question, for you know that idiot is me. When it comes to charity shop shopping, I have two rules, never buy anything over a fiver, and never buy anything electrical.

So, on Thursday, I bought a £6 tape recorder.

This isn’t just any tape recorder, it’s a 4-channel tape recorder. Something I’ve never seen before, but apparently, they were once a thing. And this one is in really good condition

For some time, I’ve been after something that can play tapes. I’ve been after one to hook up to my computer, as I still have a load of tapes from my childhood to go through, and convert. I’m sure I was an absolute scream when I was 9, but it’s things like the old radio clips I want to convert. I do have a USB one, but the sound quality is dubious at best. I wanted something a but more… sturdy.

On Thursday, after knocking back a bag of chips for my dinner, I sauntered back to work. and decided to check out the Alice House charity shop. I was on the mooch for CDs, after only picking up a small amount on my travels. Before I even got to see the rotating plastic demons, something caught the very corner of my good eye. It looked like a tape recorder. And, clearly it was! I took it over to the little seating area they have, and by the time I’d sat down, a complete stranger said “You’ve got a bargain there!”. Upon closer examination, the sticker shows that it had only been PAT tested the day before, so yeah, it looks like I was indeed the first one to pick up the bargain!

Now, despite the obvious difference of having more knobs than a Taiwanese brothel, I didn’t quite know what I had hold of. Turns out it wasn’t just any old tape recorder. This beauty has the rare ability to record an all four tracks of a cassette tape. For the uninitiated, cassettes tapes have four tracks on them, but you only ever hear two of them at a time, the left and right channel. You turn the tape over, and you hear the other two left and right channels. This particular recorder uses all 4 tracks on the tape at once. Back in the day, it was a simple and relatively easy way to get a multi-track setup for home recording.

Last night, I plugged it in to make sure it all worked. And it did! One slight problem was that it was playing all 4 tracks at once, meaning at Side A was being played forwards, and Side B was being played backwards. 4 channels, y’see… there must be a way to have it just play stereo, but time was getting on, and I demoted it to the cupboard. I had a feeling it might have stayed there for a while.

I was speaking to a lad at work who knows more about this type of stuff than I do, he said just change the pan and tilt controls, and set channels 1 and 2 to L/R. This was too obvious to work

My interest in the device was rekindled. I’d planned in my head how I was going to announce my new bargain to the world. I hadn’t knocked up a Youtube video for a while. My camera battery was charged AND I knew where all the bits of my tripod were. This was all falling into a place.

I even got home and shot the beginning of the video. There was also a truly hilarious joke that I was going to include that saw me plug the power adaptor in, I’d then turn the light off, and then edit it so it looked like it tripped the lights, followed by a truncated “OHHH, FUUUU.”, and then immediately cut to the close-up shot of the tape recorder all set up and working, followed with “Only joking!”

This is where karma kicked me right in the balls. I’d got it set up, camera positioned, aaaand, the power supply for it went south. The power light was flickering, and the output lights were jumping around. I was not amused. Turns out the bit of cable that goes into the power supply is intermittent. Looks like someone’s picked up the (relatively heavy and brick-like – you can see it in the bottom left of that screenshot) power supply by the cable, and stretched it to near breaking point. Could this be the reason why it looked so good? Was the previous owners’ attempt to use it thwarted by a small piece of cable? I will never know,

One thing I do know is that it’s working again, after fashioning a makeshift splint from a bit of masking tape and some cable ties. I’ll farthom out a more glamorous s

I’ve yet to hook it up properly to my computer to have a proper play around with it, but I’m eager to see if it sounds as good as it looks…

It’s Eurovision time, 2018 style!!

Oh yes, the time of year I await with baited breath. As with previous years, I’ll be going through and reviewing each entry, so this is a live post. Keep reloading, as I’ll be updating this through out the night, with the latest update first…

23:50
And here endeth the Aurovision for another year. A controversial night, and not a great winner. Reminds me too much of that “Bom Bom” song

22:07
ITALY: I’d probably like this one, but the suject martial’s put me right off. Thankfully this is the last one, I can go and get something to eat after this!

22:03
CYPRUS: This is supposed to be the favourite. Not sure why, it’s nothing special

21:58
IRELAND: Usuaully a fan favourite. Never realised they hadn’t been in it for five years though. That streetlight isn’t giving out much light though. The song wasn’t bad.

21:55
NETHERLANDS: Never a fan of country, and this one is no exception. Looks like he’s applying to be on the crystal maze.

21:50
ISRAEL: I genuintely don’t know what to make of that. She sounds like a dog choking on a chicken bone.

21:46
HUNGARY: Ha! this is more like it! The bloke singing it can’t carry a tune in a bucket, but it’s certainly more upbeat than some of the dreck on before it.

21:42
SWEDEN: I always like Sweden’s songs… unfortunately, this year isn’t one of their best. Bring back Carola, that’s what I say!

21:34
MOLDOVA: I’m not typing anything as I’m actually watching this one. It’s been the most eurovision-ny one so far.

21:34
BULGARIA: I take it we’re reaching the dreary stages, or the bit where I get bored… not sure which yet, but this one isn’t very good at all.

21:30
FINLAND: Redeeming features: 0. Not a fan of that one at all. Something about monsters being under the bed.

21:22
AUSTRALIA: I really fancy a dairy milk after seeing that dress. Very generic song.

21:18
DENMARK: I don’t think I can listen to anyone whose eyes are that close together. A bit unfair, however, as the song isn’t TOO bad. In fact, as it’s gone on, it’s grown on me. Not bad at all.

21:14
CZECH REPUBLIC: Cack. Absolute cack. Swing/Jazz is sooooo 1994.

21:11
FRANCE: It’s not great, is it? It’ll probably win.

21:06
ALBANIA: Oooh, this one isn’t bad. I do like the occasional acoustic guitar. He also looks like Photonicinduction. I keep expecting him to smash a lightbulb, then shout “I ain’t ‘avin’ it!” But yes, I do like this one very, very much.

21:02
GERMANY: It’s Ed Sheeran on a budget isn’t it? Totally ripping off every Adele Song.

21:00
SERBIA: Forgettable entry from a hipster, and someone wrapped in boiler cladding slapping fuck out of some oil drums. Nil points. Still trying to find out what that prick shouted

20:52
UNITED KINGDOM: SuRie – Storm. This is the only one I’ve actually heard (unsurprisingly), and I really like it.If politics weren’t involved, we might have had a chance of winning.

And someone ran on stage during our song. Sigh. I’m going to rewind that and see what happened.

Apparently, the intruder grabbed the mic, and shouted something foreign.

20:46
PORTUGAL: Oooh, I don’t mind this one. Pretty minimalist with just a piano in the background, but I do like it.

20:43
NORWAY: Yeah, this one isn’t great. Probably the catchiest one so far. Same lines over and over again. Nil points

20:39
Opera. Maybe this is a good a time as any to open my first can. It’s only uphill from here…. Clever dress though, that apparently cost €65,000. I wonder how many glasses just broke?

20:34
AUSTRIA: I think this is probably my favourite song so far. But please, enough of the crowd interaction. CErtainly my favourite so far.

20:30
LITHUANIA: Started off ever so slightly out of tune. Unless that’s just my ears. It’d probably be a good song, but she’s got a weird voice. Sounds a bit like her who just died out of The Cranberries. Have they banned snare drums from this years’ competition?

20:22
SLOVENIA: I doubt this one will do well at all, it’s pretty generic. I think I’d rather hear Spain’e entry again, and that almost put me in a coma. Some pointless crowd interaction there. You’re supposed to sing the song, petal, not them.

I thought these songs were only supposed to last three minutes? That felt like it went on for a fortnight.

20:22
SPAIN: Oh my god, I can’t stand this one already. I can’t understand the lyrics, but it’s setting my fucking diabetes off. NEXT! My predition is that it’ll do well. Really well.

20:18
UKRAINE: It’s slightly catchy, in a “Self Control – wo-oo-ooah” style way. The guy looks like if Declan Connelly became a vampire. And oh shit, the stairs are on fire!

I haven’t started drinking yet.

20:13
Apparently, in China, you can’t have tattoos on television, so it’s been banned. OH WELL.

20:09
Oh joy. There’s a flag ceremony.

UPDATE Dec 2018: Well, this post generated absolutely no interest, so this will be the last one of these you’ll ever see. Never mind, eh? I’m sure you’ll all sleep soundly in your beds knowing I’ll not waste any more time on these.