Month: May 2020

Day 6 – Jason Donovan – Ten Good Reasons

This is it. This is where it all began. The first album I ever purchased, and yes, I’m totally ashamed to admit it.

Back in the late 80s and early 90s, starts from Neighbours were everywhere. You couldn’t put on one of the four TV channels we had at the time without seeing something about Kylie, Jason, and the rest of the crew. Pete Waterman decided to stick a couple of them in the recording studio, and stick their signature cheap-arse drum machines behind them. And bloody hell, they were popular, and a 9-year-old me actually quite liked them. “Too Many Broken Hearts” was a particular favourite,for reasons I still don’tunderstand.

While this isn’t strictly he first album I owned, it was the first one to be purchased with my own money. The year is 1991. The local pub (which is now a block of flats) hosted an “It’s a Knockout” style fun day on the summer bank holiday – it had a patch of land behind the back of it that was used. Don’t quite know why, as from memory is always seemed to be a few inches deep with broken glass and remnants of old cars, etc. On this particular day there was a record stall. Just someone randomly placed outside with a box of vinyl. I’ve mentioned many times during these about my lack of pocket money as a kid, but I had enough scraped together to pick up a couple of choice records. Obviously, this one, and two singles… “Secret Garden” by T’Pau” and “swing The Mood” by Jive Bunny. I know, I know. Don’t judge me.

I don’t think I had the LP for very long. I had a habit of destroying records that I didn’t like anymore. I gained great pleasure on sticking them onto a 60-watt light bulb and watching them turn to goopy mush. The Jive Bunny single suffered this fate. Amusingly, I must have frizbeed that Jive Bunny single into next door’s garden, as it turned up still in one piece about 10 years later when they cu the hedge down. I think it still played too… well, apart from the bit where I’d melted it.

Anyhoo, back to the album. I did find a copy in a charity shop a couple of years ago, but really, listening to it in 2020 makes you realise just how cheap the production is. I’d had hoped that the years had been good to it, and that not hearing it for at yeast 25 years may have brought back some rose-tinted memories, but no. It wasn’t good then, and it’s not good now. You can see why PWL were called “The Hit Factory”, because they churned these out by the dozen. So, this one isn’t great, and I wouldn’t recommend hunting it down, but to me it’s my first, and if I’m doing these, I might as well include it. If you really are interested, a “deluxe” 2-disc version was released in 2010 that has different remixes on, including instrumental versions. It’s going for obscene money on ebay and amazon, so if I saw it for £0.99 in a charity shop I’d pick it up

Now all of a sudden I have a craving for Darkmilk chocolate…

No track listing for this one either, as I don’t think I could sit through it again.

Day 5 – Mike Oldfield’s Tubular Bells II

Surprisingly, yet another entry that’s been influenced by long-time reader, and my far the most imaginative troll on this site, Chad. The year is 1992. I’d only been collecting records for just inder a year, so the name of Mike Oldfield was a bit unknown to me. The only music of his I was aware of, was his single “Moonlight shadow”.

“Sentinel” was the lead track on the album, which was released and remixed as a single. Around this time, Chad had picked up a copy of the afore-mentioned album on tape. I distincly remember its blue background, and yellow tube on the front. I only remember hearing the first track of the album, and was surpried to find out how differnt it was to the version released as a single. I think it was the first experience I’d had with an album version of a rack being different to the single version.

Sadly, around that time came the worst period of my life. and I remember, a few days after this particular thing happened, I went into Hit Parade on York Road, picked up the single version of “Sentinel”….. and “Tetris” by Dr. Spin. I’m guessing grief made me make some strange musical decisions that day.

At some point, I picked up the original Tubular Bells album. Admittedly, I wasn’t really a fan. I must have been about 14, and the two long passages of music didn’t really keep me entertained as much as, say, Pato Banton’s “Baby Come Back”, or whatever was in the charts back then. No idea what happened to the tape

Many, many years later, I found a 2nd hand copy of Tubular Bells 2. I was intrigued to hear what the full album sounded like, after only hearing the first track in its entirety. Needless to say, the fact that I’m writing this now proved just how much I liked the album. It was great. Much more polished, a lot less experimental. The two long passages of music still existed, as none of the tracks have gaps in between them (except, of course where you need to change sides).

There are some great hidden gems in there, and although a few singles came from the album, Sentinel was the only one that had any type of chart success – sentinel reached number 10, “Tattoo” reached 33, and “The Bell” reached 55.

“The Bell” is possibly my second favourite track on the album. Alan Rickman is featured as the “Master of Ceremonies”. though there are many different versions, with other people doing the role of the MC, such as Bully Connolly, MC Otto who is a German comedian. One version also has Vivian Stanshall reprising his role from the first LP. Unfortunately he wouldn’t be able to carry this role on in the third in the series, as he died in 1995. There were no MC tracks on the third album.

Interestingly, Alan Rickman isn’t credited on the album

I’m not going to do a track-by-track section as you really have to listen to the album in its entirety. Plus, they’re tedious as hell to type out

Day 4 – The Auf Weidersehen, Pet Soundtrack

The 1980s was a time of uncertainty for the British Isles. Margaret Thatcher was in power, the coal mines were on the brink of closing, and things really didn’t look rosy. In 1984, a new TV series started, featuring the exploits of 4 labourers from around the country, all applying for jobs in Germany, and ending up in a building site in Dusseldorf., with *hilarious* consequences. Anyway, I could babble on about the plotlines and characters for hours, but I’m up early for work in the morning, and seeing as I haven’t done one of these for a while, I thought I’d continue it.

A very early memory of mine comes from this first showing. At the end of one episode, the sound started going all wobbly. Amazingly, thanks to the power of youtube, someone captured this very fault onVHS, and uploaded it to Youtube albeit from a different ITV region…

Now, for some reason I believed that “Do not adjust your set” type messages were actually there, because if you DID adjust your set, it would blow up., so every time something like this happened when I was a youngster, it used to scare me. Obviously, it’s 2020, and I now know that faults like this were caused by a master tape fault, or a dirty video head… either way, something was causing the video player to lose its tracking, and not able to keep the correct tape speed. Two memories of the show stuck with me… that fault, and the last episode of season 1 where “the hut bornt doon”. Oh, and of course, the theme music.

In (possibly) the summer of 1988, ITV started to show abridged 30 minute episodes, cutting the 1-hour long episodes in half. I remember watching, and liking the show, and also the two theme songs. It was one of the few shows at the time that used a completely different theme for the beginning of the show, and the end. I still have recordings of the theme that i’d grab off the telly, holding the tape recorder up to the telly. At the end of these episodes, the announcer would remind us that the soundtrack was available to purchase on LP.

Later that year, one of Chad’s freinds, Darren, who was several years older than me, said he had the afore-mentioned LP, and would I like a copy. Well. Of course I would. I handed him a cassette tape, and he returned, a few days later, with this…

The writing’s mine, by the way, written several years later

It’s a very old photo, and again, I’m sure I’ve blogged about this before, but bollocks to it, I might touch on something I missed out previously. Plus, seeing as we’re in lockdown, it’s something to do, innit?

This was the night before I was going away for my first holiday to Sandy bay, and obviously the tape would come away with me. It would be played in the car ad infinitum. The tape would return to Sandy Bay, up to our last visit in 1992.

Of course, I picked up the soundtrack album, both on CD and LP. I was surprised just ow many differences there were in the two.

So, onto the tracks themselves. I’m only going to concentrate on side 1 of the LP, as Side 2 is just incidental music from the show. Darren didn’t record this, as cassette tape was a finite resource at the time, and to be honest, it’s not particularly interesting unless you have a knowledge and interest of the show. I’m also going by the original LP, as the CD has some minor differences, mainly the track order and lengths.

01. THAT’S LIVING ALRIGHT
The end theme to Series 1. Released as a single, and got to, I believe number 3 on the charts. It was featured on Now That’s What I Call Music 2. There are three versions of this I know of. The first is the one used on 12 out of the 13 episodes of the show. Episode 10 uses a different revision. This is also the episode that broke down as mentioned above. I always assumed that the tape fault had damaged the audio, so they had to hurriedly re-record it for future showings. Turns out this wasn’t the case, as if you listen carefully, this is also playing that dodgy version, so I’m at a loss as to why this version is different.

The third version is the partially re-recorded one. A strange one this, as it exists back in 1984, it’s used in his TOTP performance. Every second line is re-recorded, and sounds different to the original. No idea why this version was used on TOTP, as the original version clearly still existed.

02. BREAKIN’ AWAY
This was the intro to the show, and stayed the same all the way through. the first episode’s version is edited, and omits the “Not tryin’ a run” section. the first episode does, however, have the full guitar instrumental. The record fades after 25 seconds where it ends after 36 seconds in the programme.

It was this exact song that got me into looking for full versions of songs. I’d listen each time it was on and see if they’d play an extra bit of that guitar instrumental. The CD version fades out even earlier.

03. BACK WITH THE BOYS AGAIN
Undoubtedly my favourite theme of the show. Chuggy electric guitars, hint of piano, a great little track. Used for series 2, and Slightly re-recorded for the show, depending on the length of the credits, with the final episode having it played in full.

The same version is on the CD release.

04. GET IT RIGHT
A completely different version was used on the show for most episodes. The version on the show is a re-recording. the drum track remains the same, but the vocal and guitar are slightly different, with a slow instrumental ending, This was never aired in full (though I can recall a very long version being played on one of the abridged 30-min episodes) – the longest version of this instrumental features in episode 10 (Scoop).

Episode 1 also uses a different version, but this never used the official intro. Episode 3 uses this released version, with the 2nd verse faded out and used as the instrumental

05. THE SEVEN AGAIN
Used in Series 2, episode 2, one of the two songs that was used just once in an episode, and also one of the few times were a song needed LESS cowbell. It was re-edited for the soundtrack with the cowbell dropped way back in the mix, a slightly different arrangement, and an instrumental added. Fades early on the CD release. Probably my least favourite of the 6, but it still has its own charm.

06 TONIGHT’S THE NIGHT
Featured in Series 2, episode 5 and the last time an original song would be used in this series. The LP has the complete version, the show uses the instrumental after the first verse and chorus. the CD cuts out most of the song.

So, in conclusion, if you were after this I’d track down the original LP (Towerbell Records (1986), AUF 2), failing that, the CD, if the above shortfalls aren’t much of a concern (Prestige Stage + Screen , CDSGP0201)