Desmond still hasn’t arrived yet.

You may remember in my last post (if you don’t, just scroll down a little), I talked about getting the theme tune to Desmonds on Vinyl, and how excited I was at this particular series of events… you may have also noticed that I haven’t updated you with anything since then… and that’s because there’s nothing to report. As you can guess by the title of the post, it still hasn’t arrived. I’ve bugged the vendor who have said there’s been difficulties in manufacture, and the latest date they have is September 15th.

I did hear back from the producer of the record, which is nice, so I’ll include a bit of that if and when the record arrives, as it gives a nice little insight into the origin of the theme.

In other news, as I haven’t really been blogging much, I had another operation on my foot a couple of months ago (I don’t think it was long after I bought that Desmonds record), and my foot is healed. I just hope it stays that way.

I didn’t really do a blog about it… initially I intended to, but it literally was about as uneventful as things go. Of course, I did talk about the operation, so in order to pad this out a little, let’s flash back to the start of June…. (cue wibbly effects)…

Oh, and if you don’t like reading about operations, just skip bast the bold section below…

Strap yourselves in, folks, as things are about to get graphic. No photos thankfully. I don’t think they’d have liked me updating Facebook with photos.

Anyhoo. There I am, in the theatre, flat to the boards, with my left leg in the air. My only view was of the three ceiling lights, and a load of pipes, presumably for oxygen and stuff.

In goes the cannula. A device whose name escaped me until just now.

My leg was smothered in KY Jelly. Trying to take my mind off things, I wondered if that was a brand name, or just a general term. I never bothered looking it up, but by the time this goes “to print”, I’m sure I will have. (EDIT: I didn’t.)

There was talk about arteries, and I could feel some device pressing on my leg. I’m guessing this was some type of ultrasound. Dunno for certain, as my view was still of the ceiling.

It was then that the injections started, obviously for the anaesthetic. Pretty much felt like I was a dartboard at that point. I could feel each one going in, followed by a strange sensation I can’t describe, sort-of like everything was going tight.

The anaesthetist would be verbally confirming how much he was giving me, millilitres by millilire, and I guess he wasn’t allowed to just bung the whole lot in one go.

I still had sensation in my feet, like I could acknowledge when the specialist prodded something, but there was no feeling. They tested it with cold spray. Nothing. It was so weird.

Then, the operation itself began. It started with a few crunching noises. It initially sounded like he was cutting my big toenail. Whenever I get that particular nail done at the podiatrists, it always makes a satisfying crunch. Not this time, however, he was more than likely breaking my toe in order to be able to fuse it. Lovely.

It was at that point tried to think of anything other than what was happening around me… My music collection come to mind, and I thought of a way to improve my personal MP3 database (I have an SQL database with the details of my CD rips in them. it should be trivial to include a link to the music files themselves, to save me having to copy and paste the filename each time… In case you were wondering).

In a vain hope to take my mind off the noises even further (and the fact the specialist was now clearly using a screwdriver on my foot) I had a brief conversation about my music collection. I mentioned I had a copy of Manuel from Fawlty Towers singing “Shaddap You Face”. I’m not sure if the guy was impressed or just feeling sorry for me.

At this point, my view changed. They adjusted the bed so I was no longer starting at the ceiling. This was a bit more comfortable.

Now, obviously, I still couldn’t see exactly what was going on, as they had a screen up… Oh, wait. I could see exactly what was happening

Now, you know those big operating theatre lights? (These ones were manufactured by a company called Getinge, which made me think of someone saying “Get In” whilst pissed) Naturally, you can’t see anything in the reflection of the lights, as they’re all concave, but the reflection of the white shiny arm that connected the lights to the ceiling gave me the PERFECT view.

Thankfully, it was pretty much over at this point, but still, they had to sever the tendon and sew everything back together. It’s one of those things were you can’t NOT watch….

I could either just stare straight ahead at the blue cloth, or I could look to my top right and watch all the action. “Oooh, that’s a lot of blood”. I can’t even watch anyone get injected, I nearly snap my neck away from the telly every time a COVID story comes on the telly, so exactly why this proved so fascinating shall remain a mystery. Maybe I was “getting high on my mortality” as Sinead Lohan once sang.

In record collecting news, I’ve been out buying lots more CDs. Seems quite a few places have had a glut of CD donations and are therefore getting rid of them pretty cheaply. I haven’t had that much luck with the boot fairs – obviously my access to these has been limited too, but I did pick up The World of BBC TV Themes for 50p. This is the only known release that includes the full length theme to “Rockcliffe’s Babies”, performed by Paul Hart, Joe Campbell and the children from the Corona Stage School. Who’d have thought they’d have became so famous over the past two years? Oh, wait.

So, yeah. That’s been a very quick life update. Esentally, nothing’s happened for months…. nothing’s new there, then.

The theme tune to Desmond’s

Waaay back in the late 1980s, there was a comedy show called “Desmond’s”, following a family running a barber’s shop in Peckham. It aired from 1989 until the death of the lead actor, Norman Beaton, in 1994.

It would come to no surprise (to both of my regular readers anyway) that I was a fan of the theme tune, and of course, it’s one of the things that stood out to me. I loved it, and it was one of my favourite parts of the programme. It was one of those theme tunes that should have been released as a single, but it wasn’t.

Every year or so, I’d do a quick Google to see if a proper copy, or even an extended version of the theme had been leaked anywhere. Nope. The only things that ever turned up were just off-air, or off DVD recordings. Nothing more than the 45 seconds used at the start of the programme, and the instrumental bit used in the credits at the end. I came to the conclusion that it was only ever used on the programme, especially as it was co-written by the creator, Trix Worrell.

I think I went though one of these search things most recently anout a year ago, when for absolutely no reason, the theme started to be used in an advert for butter. This rekindled my love for the theme, and got me thinking, there had to be an “official” version. As the show ended in 1994, it’s unlikely that it would still exist some 26ish years later, and it certainly sounded better quality than it just being ripped from a copy of the programme.

Once again, I searched high and low (or rather, I searched Youtube), and found nothing. What’s even weirder, is that the full episodes that had been uploaded to Youtube now had the theme tune removed. How very, very odd. Considering that its only use outside of Desmonds was on a butter advert, it seemed very odd that it would just suddenly disappear like that. Obviously someone still owns the copyright to the song, so it could have just been that they didn’t want it on youtube, but why would they object to the theme being on there, but still allowing the rest of the episode to survive? It seemed clear that someone else had the rights to the song now, than what they did when Desmond’s was recorded. Were they planning a re-release?

Again, the trail went cold. No song, no videos on Youtube (except for poor quality versions), no more butter advert, and no release. I put it to the back of my mind. It was never going to see the light of day. A quarter of a century had gone by.

Now, I’ve been holed up for the past 4 weeks, thanks to an operation on my foot. I’ve barely been able to move off the sofa for a month, so I’ve became acquainted with an old friend called “Television”. Tonight (or yesterday by the time this makes it “to air”), I was watching The Chase, and the butter advert made a reappaearance. Just out of complete boredom, I flung “Don’t Scratch My Soca” into Google. Up came a result for Bandcamp. It was 3 minutes long. I didn’t expect much, just a fan remix or something like that. Imagine my surprise when, not only was it the proper version used on Desmond’s, it had a second verse! This was the moment I’d waited over 30 years for. All of the bits were there… the main theme, the bit they fade out when the episode starts, the end theme, and of course, that never-heard second verse. Daddykins, who happened to be enjoying The Chase, didn’t quite understand my excitement, as I fumbled with the remote, pausing his enjoyment of the afore-mentioned tea-time quiz show.

The track was released on June 21st, so only 9 days ago. Not only was it available as a free MP3, it’s possible to actually purchase it on vinyl (at the time of typing). A very small number were produced. 100 in colured vinyl, 200 in black vinyl, and a few white label test pressings. Well, I had to go for the coloured vinyl. I only ordered it today, so obviously, it hasn’t turned up yet. Might be a couple of weeks. Might be sooner. No doubt I’ll update when I have the record in my grasp.

Should you wish to hear the full theme, or even chance your arm at getting a vinyl copy, you can click here. Now, to give my fingers a rest, as typing this all into my phone hasn’t been the most comfortable experience.

EXTENSION: The theme was also written and produced by John Collins, and released under his “Local Records” label, which explains how / why the master recording survives. And, of course, it’s also available on Spotify

I asked some of the questionson the Local Records website too, such as when it was recorded, why it wasn’t released until now, etc.

Eurosong Fever 2021!

Ahhh, it seems like an absolute age since I’ve done this, but in approxiamtely 20 minutes time, the Eurovision Song Contest 2021 will be kicking off. It seems loike an age since the last one, and it is, because the “panny d” put paid to last years’ show.

This year, I’ve not watched any of the buildup, or the “qualifying rounds”, because really, if your song is bad enough to be knocked out of the qualifyers of Eurovision, your song must have a turd in a blender as your lead vocalist.

Anyhoooo, watch this space, as it’s the only “realtime” post I do of the year…. For the record, and because I believe this is the order they’all appear, here’s all the songs, and I’ll fill in my comments for each of them as I hear them!

Apparently, there’s a walk-on now (because everything has to have a walk on now), and they’re playing a remix of “Venus”. Ugh.

Elena Tsagrinou – El Diablo (Cyprus)

Huh. Well, this reminds me of something Lady Ga Ga would throw out. I have a feeling it’s not going to be the worst one I hear tonight. I actually quite like this one. I haven’t even had a drink yet.

Anxhela Peristeri Karma (Albania)

Onto song 2, and the first one in a language I don’t understand. Looks a little bit like Carol Vorderman (amusing! Graham Norton just mentioned that), but apparently has a decent set of pipes. the song isn’t really my cup of tea. Won’t be hunting this one down.

Eden Alene – Set Me Free (Israel)

Apparently she’s going to attempt the highest note ever performed at Eurovision. This should be fun.

Meh. Wasn’t that good.

Hooverphonic – The Wrong Place (Belgium)

I llke the band name, douze points. And the song isn’t bad either. I really like this one. Something about a Johnny Cash T-shirt. It did slip down the list as the night went on as the better songs came through.

Manizha – Russian Woman (Russia, unsurprisingly)

We’re about 30 seconds into this one, and I really, really dislike it. I’d definitely be skipping this if it came on Spotify. “BE THE CHANGE YOU WANT TO BE”…. what, a quid for the parking meter?

Destiny – Je Me Casse (Malta)

Means “I’m Outta here”, apparently. this one’s pretty catchy, with those sax samples. It’ll probably do well.

The Black Mamba – Love Is On My Side (Portugal)

With a band name such as that, I expected a much more energetic peformance. This one’s just the usual forgettable rubbish. We have a winner.

Hurricane – Loco Loco (Serbia)

Another one that’s not in English, but… it’s got a decent tune, and dare I say it’s probably been my favourite so far? Been quite a lousy batch so far if I’m honest. Considering they’ve had two years to prepare, I expected more, even if they’re a new batch of songs entirely.

James Newman – Embers (United Kingdom)

Song nine. Song NEIN more like. Not a fan of this at all. Can’t see us getting much for this to be honest. Seems like it’s been going on for about 5 minutes. Pretty much just the same thing over and over again.

Stefania – Last Dance (Greece)

I’m looking at the list of how many acts there is to go… and then I realise I’m going to be missing BigCliveLive for this. Suddenly, this one picks up and it’s actually quite good. Interesting use of green screen effects. Think we have a new leader for my favourite.

Gjon’s Tears – Tout l’Univers (Switzerland)

It’s a no from me. Sounds a bit like Jimmy Somerville. Too slow. Tries the whole bombastic thing at the end for about 30 seconds, but it’s too late for all that now.

Daði og Gagnamagnið – 10 Years (Iceland)

I can imagine that the singer is going to break my encoding, and that name will proibably end up about 48 random characters. I haver no idea what those keyboard / guitar combos are, but I want one. Nice use of rhythm guitar. Another one I really like. Ohhh, those three keyboards join up and they forma circle. that was great.

Blas Cantó – Voy A Quedarme (Spain)

I’m all for gimmicks, and apparently, this is the biggest prop ever used in Eurovision. a 6 metre long moon. Song’s crap. Wanted him to stand under the moon, for it to snap, and a comedy “splat” sound. Didn’t happen.

Natalia Gordienko – SUGAR (Moldova)

NOPE. Not a fan of this one. Sounds like something that should have been left in the early 2000s.

Jendrik – I Don’t Feel Hate (Germany)

LOL. “This is marmite, if everyone hated mermite.” Surprisingly, I don’t hate this. I don’t have a clue what he’s blabbing on about, but to give it its due, it’s catchy.

Blind Channel – Dark Side (Finland)

I said to t’other Jamie over Facebook that he’d like this one…. “this is fantastc” was his reply, and I have to agree. It’s nice to have something different to what’s been so far. After a slow start, the songs are starting to pick up, and I haven’t even opened a beer yet.

VICTORIA – Growing Up Is Getting Old (Bulgaria)

Well, this is the most depressing song so far. Just a reminder that old age comes to us all, and one day we’ll get sick and die. Thanks for that.

The Roop – Discoteque (Lithuania)

Entirely forgettable. Yellow suits. No tune. Bloke looks a lit like him out of Human League. I could probably hear this 50 times in a row and not remember any of it. I’m not going to though. Hopefully, that’ll be the last time I hear that.

Go_A – Shum (Ukraine)

Folk tunes mixed with dance, apparently…. and unsurprisingly, I really like it. Can’t see it getting anywhere, but it’s right up my strasse.

Barbara Pravi – Voilà (France)

Apparently one of the favourites. Can’t see why. Possibly the most forgettable song of the lot so far. She’s probably a decent singer, but seeing as it’s in French, the should be singing about her bloody shopping list for all I know. Naaaaaaaaah.

Efendi – Mata Hari (Azerbaijan)

Nope, don’t think much of this one either.

TIX – Fallen Angel (Norway)

that one’s really good too. I got a bit distraced because I went o put the light on, but I’d probably say it’s on my top 3 so far? Think the staging could have been better though.

Jeangu Macrooy – Birth Of A New Age (The Netherlands)

Definitely not a fan of this one.

Måneskin – Zitti E Buoni (Italy)

ROTFL… “Maybe it’s grow on me, like mould on a bathroom ceiling”. Graham Norton’s comments crack me up. It’s supposed to be heavy metal. The only thing heavy is my head, as I try to think something decent about this. It’s certainly not “heavy metal”. I was looking forward to this one, and now I’m just disappointed.

Tusse – Voices (Sweden)

I usually like Sweden’s songs, they always come out with some classics. This one’s…. not really one of them. Pretty forgettable. Not the worst I’ve heard tonight. Ah, key change. Now THAT’S Eurovision.

Senhit – Adrenalina (San Marino)

And so, this is the final one. Not a bad batch of entries if I’m honest. Flow-Rider doesn’t improve this one in the least.

And that’s your lot. Wasn’t that fun? Now it’s the tedium of an hour-long half-time show while the votes are counted. Not calling, and I’m not installing an app to vote. so I guess I’ll just have to put up with it. Think I’ll open those beers now. I’ve also fixed the “bold” HTML tag.

Well, wasn’t that fun? Glad to see we did well as usual. And that concludes your Eurovision coverage for another year.

Let’s Go To Misterland

I’ve been buying music again. Seeing as this blog’s been going on for 20 years, I’m bound to have touched on this subject before, but seeing as I can’t remember, I’m sure you, my dear reader won’t recall either. Today, I’ve had good reason to revisit this subject… so how did my love for music begin, and how did it flourish into what could be classed an a compulsive collecting disorder, or something?

Some of my earliest memories are in my dad’s car. I’m sure he had a particular tape that had “Hang On Sloopy” by The McCoys taped onto it. I’d go so far as to say this was my first musical memory. I’m sure at this point, I must have shown some interest in music, as for Xmas 1984, I got my first ever record player. It was a Fisher Price jobby. Beige in colour, with an orange turntable, and a massive orange tone arm. I have a photo somewhere, but unfortunately, you’ll have to make do with a photo of me opening my presents on what may have been the same day, or it may have been the year after.

Gosh darn it, I’m close to reminiscing about that brown sofa now. Anyhoo. Xmas came, and I got a small selection of records, all perfectly suited for a child of this age…

“Do They Know It’s Xmas” – It’ll have been the most popular record at the time.
“We All Stand Together” – Paul McCartney and The Frog Chorus
“Child’s Play” – a BBC record containing tracks interesting for kids, including the Dr. Who theme, some stories, and a couple of tracks containing Floella Benjamin.
“The Mr. Men Songs”. Featured Arthur Lowe. Another BBC record. Originally released on Pye records
“Stories from Playschool”. A spoken-word record, containing, as it suggests, stories from Playschool.

One main problem with this setup, is that this was a real record player. It played real records, from a real stylus. Sadly, after years of playing everything from Band Aid to biscuits, the turntable finally gave up the ghost. The player “went into storage”, also known as the black bin bag at the side of the road, and most of the records suffered a similar fate. As my childhood grew, I’d moved onto tapes, or rather, taping stuff off the radio, outgrowing these kid’s records.

Fast forward to 1991. My dad brought home a music centre from work. Not sure how he got hold of it. Maybe one of the customers wanted shot of it? Don’t know. Either way, it ended up in our possession, and I was thrilled to finally have a proper music system. It then came to see what records I had to play on it…

I had a choice of either “The Mr. Men Songs” or “Child’s Play”. The rest had went to the great jukebox in the sky. I still have tapes of me doing pretendy radio stations from back in the day featuring selected tracks from these two records. Eventually, these scratched kiddy records went out of circulation, for the final time, eventually becoming part of experiments involving light bulbs and sharp things. Years and years passed, and about 5 years ago, I founf the Mr. Men record smashed under a ppile of old boxes in the cupboard. It was then that I started regretting my actions. A small part of my brain gnawed away at me, wanting to hear some of those songs again. I thought it’d be interesting to hear them with a proper setup, not like the mono little record player, and not like the jumping, scratched mess I forced the music system into playing.

Turns out it’s been particularly hard to find in the second-hand market. Most copies probably just got scratched or thrown away, when the child grew up. After all, it’s not going to win an Ivor Novello award any time soon, but thankfully, I never grew up, and there’s been a little part of my brain dedicated to its memory.

Over the years, I learned it was arranged by Keith Mansfield… the very same guy who composed so many BBC themes, and who gives his name to the KPM music library (I believe). The lyrics were written by Roger Hargreaves himself.

Well, after years of searching I finally found a copy… on tape! Yesterday, I was in Northallerton, which Chris, and after spending more time and money than I really should have in a certain brilliant record shop, I headed round the charity shops. the last one I went into was the Blue Cross shop, near the end of the high street. The CDs weren’t up to much, so I had a look through the tapes. There it was, in all of its plastic glory. The sticker said £1.49. Oof. I’ve paid much more for much worse so I waddled off to the counter, with tape in hand. Turns out it was only 20p, and I only had a tenner, after I’d fed the parking machine gods all of my loose change earlier on in the day. Chris had disappeared outside by this point so I sheepishly handed over The Queen, and while the lady showed the trainee cashier how to use the till, I explained pretty much everything I typed above.

SO, yeah. It’s a bit of an embarrassing purchase, but there’s just something about those 1970s graphics and that BBC logo that will always hold a place in my heart. I’ve yet to play it… it came out in 1979, so no idea what 40 years have done to it.

And yes, I’m well aware that it was originally released on Epic Records back in 1976. It says so on the cover. Oh, here, have some photos of it. (This is your worst closing line ever – Ed). Oh, shut up.

As of December 2019, I’ve played and converted this. It really is as catchy as I remember. In parts, anyway.

ITV Racing music

Do you watch the racing on ITV? Do you like the double-bassy, mute-trumpety music they use when introducing the runners and riders for each race? Do you wish you could own a copy of this music, or at least stream it on somewhere like Spotify? Well, now you can!

It’s title is… Drum Roll Please…. “Les Fleurs” by 4 Hero, released on their 2001 album “Creating Patterns”.

I’ve been after it for ages, so I thought someone else might have been too, hence the blog post. Turns out I’ve had the exact track on a compilation CD for ages and never realised. Minnie Riperton originally performed the song in 1970.

Also, the flutey music they use when going into a break (not part of the main theme, which is also pretty flutey) is the instrumental version of “Go Do” by Jonsi.

The actual theme was composed especially for the program, and to my knowledge, has never been commercially released.

We will return you to your scheduled programming shortly. *cough*.

UPDATE: Well, that didn’t take long, thanks to the reliability of Discogs, I’ve got the single in my collection now, which contains the instrumental version.

It’s Eurovision time, 2018 style!!

Oh yes, the time of year I await with baited breath. As with previous years, I’ll be going through and reviewing each entry, so this is a live post. Keep reloading, as I’ll be updating this through out the night, with the latest update first…

23:50
And here endeth the Aurovision for another year. A controversial night, and not a great winner. Reminds me too much of that “Bom Bom” song

22:07
ITALY: I’d probably like this one, but the suject martial’s put me right off. Thankfully this is the last one, I can go and get something to eat after this!

22:03
CYPRUS: This is supposed to be the favourite. Not sure why, it’s nothing special

21:58
IRELAND: Usuaully a fan favourite. Never realised they hadn’t been in it for five years though. That streetlight isn’t giving out much light though. The song wasn’t bad.

21:55
NETHERLANDS: Never a fan of country, and this one is no exception. Looks like he’s applying to be on the crystal maze.

21:50
ISRAEL: I genuintely don’t know what to make of that. She sounds like a dog choking on a chicken bone.

21:46
HUNGARY: Ha! this is more like it! The bloke singing it can’t carry a tune in a bucket, but it’s certainly more upbeat than some of the dreck on before it.

21:42
SWEDEN: I always like Sweden’s songs… unfortunately, this year isn’t one of their best. Bring back Carola, that’s what I say!

21:34
MOLDOVA: I’m not typing anything as I’m actually watching this one. It’s been the most eurovision-ny one so far.

21:34
BULGARIA: I take it we’re reaching the dreary stages, or the bit where I get bored… not sure which yet, but this one isn’t very good at all.

21:30
FINLAND: Redeeming features: 0. Not a fan of that one at all. Something about monsters being under the bed.

21:22
AUSTRALIA: I really fancy a dairy milk after seeing that dress. Very generic song.

21:18
DENMARK: I don’t think I can listen to anyone whose eyes are that close together. A bit unfair, however, as the song isn’t TOO bad. In fact, as it’s gone on, it’s grown on me. Not bad at all.

21:14
CZECH REPUBLIC: Cack. Absolute cack. Swing/Jazz is sooooo 1994.

21:11
FRANCE: It’s not great, is it? It’ll probably win.

21:06
ALBANIA: Oooh, this one isn’t bad. I do like the occasional acoustic guitar. He also looks like Photonicinduction. I keep expecting him to smash a lightbulb, then shout “I ain’t ‘avin’ it!” But yes, I do like this one very, very much.

21:02
GERMANY: It’s Ed Sheeran on a budget isn’t it? Totally ripping off every Adele Song.

21:00
SERBIA: Forgettable entry from a hipster, and someone wrapped in boiler cladding slapping fuck out of some oil drums. Nil points. Still trying to find out what that prick shouted

20:52
UNITED KINGDOM: SuRie – Storm. This is the only one I’ve actually heard (unsurprisingly), and I really like it.If politics weren’t involved, we might have had a chance of winning.

And someone ran on stage during our song. Sigh. I’m going to rewind that and see what happened.

Apparently, the intruder grabbed the mic, and shouted something foreign.

20:46
PORTUGAL: Oooh, I don’t mind this one. Pretty minimalist with just a piano in the background, but I do like it.

20:43
NORWAY: Yeah, this one isn’t great. Probably the catchiest one so far. Same lines over and over again. Nil points

20:39
Opera. Maybe this is a good a time as any to open my first can. It’s only uphill from here…. Clever dress though, that apparently cost €65,000. I wonder how many glasses just broke?

20:34
AUSTRIA: I think this is probably my favourite song so far. But please, enough of the crowd interaction. CErtainly my favourite so far.

20:30
LITHUANIA: Started off ever so slightly out of tune. Unless that’s just my ears. It’d probably be a good song, but she’s got a weird voice. Sounds a bit like her who just died out of The Cranberries. Have they banned snare drums from this years’ competition?

20:22
SLOVENIA: I doubt this one will do well at all, it’s pretty generic. I think I’d rather hear Spain’e entry again, and that almost put me in a coma. Some pointless crowd interaction there. You’re supposed to sing the song, petal, not them.

I thought these songs were only supposed to last three minutes? That felt like it went on for a fortnight.

20:22
SPAIN: Oh my god, I can’t stand this one already. I can’t understand the lyrics, but it’s setting my fucking diabetes off. NEXT! My predition is that it’ll do well. Really well.

20:18
UKRAINE: It’s slightly catchy, in a “Self Control – wo-oo-ooah” style way. The guy looks like if Declan Connelly became a vampire. And oh shit, the stairs are on fire!

I haven’t started drinking yet.

20:13
Apparently, in China, you can’t have tattoos on television, so it’s been banned. OH WELL.

20:09
Oh joy. There’s a flag ceremony.

UPDATE Dec 2018: Well, this post generated absolutely no interest, so this will be the last one of these you’ll ever see. Never mind, eh? I’m sure you’ll all sleep soundly in your beds knowing I’ll not waste any more time on these.

To the ones we’ve lost in 2017…

2017 has seen a lot of change. Normally, I’d do a review of the year, month by month, but seeing as the entire time between August and mid-December was lost to a foot problem, I don’t think there’s much point. Instead I’ll look back at some of the things that were around at the start of the year, but have now been confined to history.

First off, we’ll start off with a sad personal one of mine…

I found it too difficult to post about on here at the time, so I didn’t, but back in the summer, we lost Sam, or Samson go give him his full name. On the 19th July at the ripe old age of 18, he made his final journey “up the coast road”, to join his sister in Doggy Heaven, where she can once again try to mount him, and they can both hide rotting bits of meat under the sofa for the rest of eternity, and he can lie at the top of the stairs leading to the pearly…. dogflaps (?!), and wait for someone to trip over him in the dark. Six months have passed, and I still instinctively pause at the top of the stairs to make sure I’m not going to step on him!

BATCHELOR’S MILD CURRY SAVOURY RICE

I had intended to write a blog post addressing my dismay at the discontinuation of Mild Curry Savoury Rice, to be replaced with “Super Rice”, but I never got round to it. Although the two look very similar, to me, there was a world of difference.

I have been a fan of the Savoury Rice variety for as long as I can remember. In fact, here’s a photo of me, at Sandy Bay, demolishing a bowl of the afore-mentioned rice-based snack…

Judging by the look on my face, you can tell I was enjoying it. Or maybe I just looked that way as a kid, who knows. Anyway, this remained in the very small repertoire of foods I’d actually eat as a kid.It survived with me, throughout my teens, 20s, into my 30s. OK, there’d be times where I wouldn’t have it for months, even years, but at the back of my mind, it’d be there.

Unfortunately, it was a recipe that “Bachelors” tampered with from time to time, making a pouched “microwaveable” version, for example. These didn’t last long, and eventually went back to the dehydrated backet variety.

Fast forward a few years, and I noticed they’d changed the branding. It was now “Mild Curry Super Rice”, and instead of taking 15-20 minutes to cook, it took 5 minutes. Well, I’d be interested to see what it was like. Aaaaaaaaand, I hated it. The newly formed rice was stodgy, the flavouring stuck to the side of the pan and turned black. It was overall, a disappointing mush, and it contained the scourge of all these types of products… dried peas. Every time I see then I just have to ask why they even exist.

It turns out miracles happened, and I found a shop in the town centre that still stocked the “Savoury Rice” variety. It was still the old recipe. Longer cooking times, no dried peas. A tear of happiness rolled down my cheek. This remained the case for a good few months. Both varieties lived their separate lives.

Then, my foot happened, and I was unable to attend the town centre for a couple of months. I went to stock up, only to find… yes, you’ve guessed it… “Mild Curry Super Rice”. I fell to my knees, clutching my head. A part of me had died. A huge part of my culinary life was at an end. I hadn’t been this devastated since Birds Eye discontinued their “Boil In the Bag” curries some time in the mid 2000s.

All is not lost, however. There appears to be another change to the recipe, and dare I say, it’s “acceptable”. The rice isn’t at bad, and the flavour is adequate. If you put those two packets together though, you’ll notice the values in the health thing are different. Changed recipe, or smaller packet? I shall investigate further.

THE APPRENTICE

If, for some reason you haven’t watched it and intend to, then skip this secion as there’ll be spoilers.

Wow, what was that all about? This was by far the worst series I’ve seen it. Normally there’d be some people who you want to see do well, but no, not this year. I hated all of them. And then, that end? Both of them got the bloody money. A grand anti-climax to an utterly depressing 12 weeks of television. After this years’ disappointing show, I’d be interested to see if they completely reshuffle the way the show works, or even abandon it completely. Either way, I’m not sure I’ll bother watching.

I’d attempted to write more on this, but everything I typed just turned into a long, rambling post about nothing, so I’ll just leave with wishing you all the best for the last day of 2017, and if you have a birthday in 2018, then have a happy return.

See you in 2018!