Jean Bennett Sings

UPDATE: March 2017 – Jean’s nephew David has posted a couple of comments, thanks to him for taking the time to comment and post her obituary, sadly she passed away in 2003. The mystery about the attire is also solved, thanks again for clearing that up!

I’m sure you’re asking yourself, “Who She?” The answer is, I don’t know. I just happened to be flicking through my records in order to catalogue them, and this one appeared…

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It was part of a bag of records given to me by a friend. As you can see, at some point during its life, it has been used as a chew toy by a mischeivous puppy, which means the vinyl really doesn’t fare much better. Due to its condition, and the fact I’ve never heard of Mrs Bennett, it almost went into the big green charity shop in the sky (aka, the wheelie bin), but something’s made me keep hold of it. There’s a mystery surrounding it. I can’t find anything about her. At all. A few places have this record for sale on the internets (no, I’m not on the lookout for a replacement copy), but there’s no information on the lady, at all. the record doesn’t have a date on either, so I’m not even sure how old she would be now. If she’s still alive, that is, which I hope.

Somewhere in this terrace of unassuming, yet incredibly expensive houses, is number 76, the registered address of Nevis Records. Doesn’t really look like the type of place to be churning out platinum discs by the skipload, but let me give you the spiel on the back of the record…

This album by Jean Bennett has been made in response to the many demands from her fans. It contains many of the songs for wich Jean is known so well.

Lancashire born and living in Blackpool, Jean’s popularity is nation wide.

The expert opinion of Nevis Records producer Jim McLean and the musical direction by Nicky Welsh has combined to make this a Jean Bennett Classic.

Right you are, then. I’ll take your “expert” word for it. Now, the stylus on my record deck is broken anyway, so I’m going to play myself a couple of tracks. I’m not too bothered if I hit a canine-induced crater. Track 1, “On Mother Kelly’s Doorstep” is a no-go. the teeth marks are too deep to even attempt it, so let’s start with Track 2, “Bless This House”…

One thing that strikes me straight away is that this record is badly manufactured. It’s off-centre, which means everything’s wobbling about, making it sound off-pitch.

I played that side to the end, and although not my cup of tea, it was acceptable. There are probably worse ones out there. Either way, I’d love to know what happened to old Jeano, and if there are any fans of hers still out there… and can anyone explain those clothes she’s wearing?

Here’s the track listing for this album…

A
1. ON MOTHER KELLY’S DOORSTEP
2. BLESS THIS HOUSE
3. MARTA
4. IF I WERE A RICH MAN
5. SUNSHINE OF YOUR SMILE
6. MATCHSTICK MEN

B
1. PEOPLE (WHO NEED PEOPLE)
2. WHAT I DID FOR LOVE
3. IT MUST BE HIM
4. LOVE IS ALL
5. SALLY
6. FOR ALL WE KNOW

UPDATE 4/2/2017 – 2016 imagery for the houses, couple of typos fixed

Polydor 2384 107! I has it!

OK, I haven’t even started the blog, and I’ve already confused at least one of my viewers. What the hell is “Polydor 2384 107”, I hear you cry? You may remember a few months ago, I did one of my “Theme Music Appreciation” posts, where I reviewed a “BBC Themes” album I’d borrowed off Andy The Iridium Fan.

Some of the worst tracks came from another album entitled “Sixteen Small Screen Greats”, with the “Polydor 2384 107” catalogue number. I commented on how I’d like to get my hands on a copy just to hear the rest of the tracks… well, thanks to a case of finding a virtual needle in a haystack, I now have a copy right in front of me.

ATIF recently acquired a large collection of records and CDs, and I was invited over to Iridium Mansion to have a flick through and take what I wanted. The records were located in the attic, which was only partially lit. Now, for most people this would be a problem, but not for ATIF. He came upstairs to the attic, carrying a Phosco P678 streetight. It was plugged into the wall socket, and the CD/record browsing commenced…


The first photo contains streetlights, records, CDs, and a packet of Maynards Wine Gums. All this photo needs, is a pint of beer, a vindaloo and a pair of tits, and I’d had been in heaven.

Very quickly after a short flick through the CDs and records, I found that the original owner of the records and CDs was an avid theme music collector, which means that there was a lot of old 1980s TV theme vinyl in there, and some of them were brilliant. There was a load of the re-recorded variety, but several were the “genuine article”

Aside from the afore-mentioned Ronnie Hazelhurst LP, I pulled out a number of different albums, including “The TV Hits Album”, released on Towerbell Records, volumes 1 and 2. I had downloaded these particular albums (naughty naughty) as horribly compressed and scratched MP3s, so I knew the tracks included were genuine. The vinyl on these, as with all of the records, is mint, so I now have a copy of Su Pollard’s “Starting Together” to call my own… that is, if my record player’s stylus wasn’t running low on sharpness.

Speaking of Stylus, there was one of the theme albums released under the “Stylus” record label. I’ve had ‘bad’ records from this company in the past, where the tracks are either edited down, or re-recorded, so I wasn’t expecting much. I slapped it on the turntable, and played Track 1, the “Cagney And Lacey” theme. It’s a piece of music I like, but have never been able to track down the version used on the programme. I pressed play. The turntable sprang into life. The sax intro plays…. it sounds almost genuine. The main theme kicks in, and the hairs on the back of my neck stand up. It’s the exact version used on the programme, even down to the seldom-noticed xylophone / glockenspiel / whatever percussion instrument it is, barely audible, 40 – 52 seconds into it. Any re-recording would have lost this entirely. There’s also the piano buried back there too, just like every good 80s TV theme.

Er, anyway. there is a reason why the C+L theme is almost impossible to track down on CD… it’s because it was recorded in mono, and it’s 1′ 15″ in length. Every version commercially available on CD is re-recorded, made longer and recorded in stereo. Don’t tamper with the classics, eh?

My plastic-browsing was brought to a temporary, yet abrupt halt, when the streetlight providing our illumination, suddenly went phut, and plunged the entire attic (and the rest of Iridium Mansion) into darkness, with the only illumination coming from the red-hot, yet slowly cooling arc tube. Within seconds, bellows of “ANDREW!” came from downstairs… Now, there could be a couple of things that caused the leccy in his house to trip. His parents seemed to think he was toying with something, but at the time I knew he wasn’t, he was sorting some photos at the time. My opinion wasn’t asked, so I kept out of it. Should it be needed in the future, when the lights went out, ATIF was looking at photos. I was looking at CDs, Neither of us were holding screwdrivers. Bit late now, but still, Awwwwkward.

For the first time ever, my phone came to the rescue. I thought its “flashlight” feature was a jokey gimmick. Honestly, it’s not. It’s not the brightest thing in the world, but my word, it’s worth its weight in LEDs.

The visit to ATIF’s ended as usual, with the obligatory photo of me holding a streetlight. This time, I went for the SOX variant of the GEC Z567x series…

Yes, I’m quite aware my hair needs cutting…