Oh look, more records!

As promised, I thought I’d do another update on my charity shop purchases and days out. This week, there weren’t really that many. I didn’t do much on the Saturday. in fact the only place I went, was to Tesco to pick up a ready-cooked chicken, Therefore the rest of the day was spent with my face covered in the product of the rotisserie oven. Not much happening there.

Sunday was different, however.  There was a record fair in Durham… I’d remembered about it only a couple of days before, and Chris offered to give me a lift there. Woo, and indeed hoo.

The Durham record fair is never a big affair. I think I’ve mentioned about it before, there’s just a small section of a sports hall that’s netted off, while the rest of the place still is still used for badminton…

There was one stall that had quite a few boxes singles on it, at £1 each. It’s more than I normally like to pay for a single, but well, I thought I’m only here once, and there were some classics in there, such as Trevor and Simon (yes, THAT Trevor and Simon) covering a Donovan song (can’t remember which one off the top of my head) “Sky High” by Jigsaw… “I was made for Dancing” by Leif Garrett, and a couple of others that don’t spring to mind. I might edit this into a list later on… If there’s no list, then I couldn’t  be bothered. (EDIT: I couldn’t be bothered)

The Jigsaw and Leif Garrett songs are ones I’ve only just became familiar with in the last 6 months, thanks to an online “radio station” that I listen to quite regularly. Surprised I didn’t know them, as they were relatively big hits, reaching no. 4 and no. 9 respectively.

Also picked up another copy of the “Auf Weidersehen Pet” series 1 soundtrack. This wasn’t the one I had on tape as a kid, but instead contains the incidental music from the program. Been after a cleaner copy of “The Fire” from the final episode where the “hut borns doon”

So, onto Durham itself. This was a warm, if overcast Autumn day. There were only two charity shops open, so I think we only spent about half an hour there. I didn’t end up getting anything from there, except for a nice photo or two.

It was still incredibly early at that point, so on the way back, we made a detour to Peterlee. Despite being only a small town, it has its fair share of charity shops. There’s a huge Sue Ryder shop there. It’s pretty expensive too, so once again, I came out empty handed. There’s a large “Home Bargains” store next door, and I managed to pick up 5 of these for a quid.

You might notice there’s slightly more than 5 there. Turns out they’re absolutely brilliant for cleaning the muck, mould, shite and usually, for some unknown reason, dried blood, off the CDs that come from the charity shops. In fact, they’re so good, I went to the Hartlepool shop and picked up another 10 cans, and I might pick up more tomorrow. For that price, you literally can’t go wrong, and I’ll always need CD cleaning products.

Onto the main shopping precinct in Peterlee. It’s a depressing sight. This shop (which, until a couple of months ago used to be a British Heart Foundation) pretty much says it all.

I did notice that there’s a “Farplace” charity shop opened there too, which is great – they’re rapidly becoming my favourite chain of shops. It was closed, however, so I might have to make a detour there at some point.

The YMCA was open here, and I picked out a few singles from this batch. They were very well thumbed, and the covers were all an absolute state, but the vinyl itself didn’t look too bad.

Last stop in Peterlee was the “other” British Heart Foundation… Now, Peterlee is the same as most towns… Or at least it was. Two BHF stores. One that sells your standard charity shop clothes and bric-a-brac, and another, often much larger one that sells furniture only. Now, probably because the smaller shop had closed down, this larger shop had a very small selection of CDs. They had £1 stickers on, but the bloke out the back said he’d do three for a quid. Obviously, the person behind the till didn’t get the memo, as he tried to charge me £3…nah mate, I advised him to have a word with the guy out the back, and indeed, he then only charged me £1. Now I await the barrage of 0 comments calling me a greedy fecker.

Last stop of the day was another YMCA… The one in Hartlepool. I’ve had good results from this shop in the past… The items don’t get sorted as much as some other shops, so you can end up with some quality finds….

Something that I’ve been collecting for a little side project, are “knock-off” CDs. Take the songs from a famous artist, get someone else to record them in the style of the original singer, and sell them for much cheaper. These have been around since recorded music became a thing

A prolific manufacturer of these is/was Prism Leisure. I have no idea if they’re still in business, but, like this one, they released CDs along the lines of “Hits of {artist} as performed by Studio 99”

I have a couple of these now. Corrs, Britney Spears, Celine Dion, to name but a few, and they’re all absolute garbage! I have others too, the collection is coming along quite nicely.

And finally, I bought this.

I don’t think this needs explanation!

Your order has been dispatched…

It’s taken nearly 5 months, but today I received confirmation that my vinyl copy of the Desmonds theme is on its way…

“Hey!

Just a quick note to say that Happy People Records shipped your order and it’s now on its way:

Norman Beaton – Don’t Scratch My Soca (Desmonds TV Theme Tune) 7″: Ltd. edition coloured 7″, by Happy People Records
Record/Vinyl”

I can’t believe this is literally the only thing I’ve had to blog about for the past 6 months (lie: there’s been loads of stuff, but the only hits on this site now are from bots, so what’s the fucking point?) but even this could be coming to a close! I shall, of course, do an update when it lands through the portcullis of Mercuryvapour Towers.

Desmond still hasn’t arrived yet.

You may remember in my last post (if you don’t, just scroll down a little), I talked about getting the theme tune to Desmonds on Vinyl, and how excited I was at this particular series of events… you may have also noticed that I haven’t updated you with anything since then… and that’s because there’s nothing to report. As you can guess by the title of the post, it still hasn’t arrived. I’ve bugged the vendor who have said there’s been difficulties in manufacture, and the latest date they have is September 15th.

I did hear back from the producer of the record, which is nice, so I’ll include a bit of that if and when the record arrives, as it gives a nice little insight into the origin of the theme.

In other news, as I haven’t really been blogging much, I had another operation on my foot a couple of months ago (I don’t think it was long after I bought that Desmonds record), and my foot is healed. I just hope it stays that way.

I didn’t really do a blog about it… initially I intended to, but it literally was about as uneventful as things go. Of course, I did talk about the operation, so in order to pad this out a little, let’s flash back to the start of June…. (cue wibbly effects)…

Oh, and if you don’t like reading about operations, just skip bast the bold section below…

Strap yourselves in, folks, as things are about to get graphic. No photos thankfully. I don’t think they’d have liked me updating Facebook with photos.

Anyhoo. There I am, in the theatre, flat to the boards, with my left leg in the air. My only view was of the three ceiling lights, and a load of pipes, presumably for oxygen and stuff.

In goes the cannula. A device whose name escaped me until just now.

My leg was smothered in KY Jelly. Trying to take my mind off things, I wondered if that was a brand name, or just a general term. I never bothered looking it up, but by the time this goes “to print”, I’m sure I will have. (EDIT: I didn’t.)

There was talk about arteries, and I could feel some device pressing on my leg. I’m guessing this was some type of ultrasound. Dunno for certain, as my view was still of the ceiling.

It was then that the injections started, obviously for the anaesthetic. Pretty much felt like I was a dartboard at that point. I could feel each one going in, followed by a strange sensation I can’t describe, sort-of like everything was going tight.

The anaesthetist would be verbally confirming how much he was giving me, millilitres by millilire, and I guess he wasn’t allowed to just bung the whole lot in one go.

I still had sensation in my feet, like I could acknowledge when the specialist prodded something, but there was no feeling. They tested it with cold spray. Nothing. It was so weird.

Then, the operation itself began. It started with a few crunching noises. It initially sounded like he was cutting my big toenail. Whenever I get that particular nail done at the podiatrists, it always makes a satisfying crunch. Not this time, however, he was more than likely breaking my toe in order to be able to fuse it. Lovely.

It was at that point tried to think of anything other than what was happening around me… My music collection come to mind, and I thought of a way to improve my personal MP3 database (I have an SQL database with the details of my CD rips in them. it should be trivial to include a link to the music files themselves, to save me having to copy and paste the filename each time… In case you were wondering).

In a vain hope to take my mind off the noises even further (and the fact the specialist was now clearly using a screwdriver on my foot) I had a brief conversation about my music collection. I mentioned I had a copy of Manuel from Fawlty Towers singing “Shaddap You Face”. I’m not sure if the guy was impressed or just feeling sorry for me.

At this point, my view changed. They adjusted the bed so I was no longer starting at the ceiling. This was a bit more comfortable.

Now, obviously, I still couldn’t see exactly what was going on, as they had a screen up… Oh, wait. I could see exactly what was happening

Now, you know those big operating theatre lights? (These ones were manufactured by a company called Getinge, which made me think of someone saying “Get In” whilst pissed) Naturally, you can’t see anything in the reflection of the lights, as they’re all concave, but the reflection of the white shiny arm that connected the lights to the ceiling gave me the PERFECT view.

Thankfully, it was pretty much over at this point, but still, they had to sever the tendon and sew everything back together. It’s one of those things were you can’t NOT watch….

I could either just stare straight ahead at the blue cloth, or I could look to my top right and watch all the action. “Oooh, that’s a lot of blood”. I can’t even watch anyone get injected, I nearly snap my neck away from the telly every time a COVID story comes on the telly, so exactly why this proved so fascinating shall remain a mystery. Maybe I was “getting high on my mortality” as Sinead Lohan once sang.

In record collecting news, I’ve been out buying lots more CDs. Seems quite a few places have had a glut of CD donations and are therefore getting rid of them pretty cheaply. I haven’t had that much luck with the boot fairs – obviously my access to these has been limited too, but I did pick up The World of BBC TV Themes for 50p. This is the only known release that includes the full length theme to “Rockcliffe’s Babies”, performed by Paul Hart, Joe Campbell and the children from the Corona Stage School. Who’d have thought they’d have became so famous over the past two years? Oh, wait.

So, yeah. That’s been a very quick life update. Esentally, nothing’s happened for months…. nothing’s new there, then.

The theme tune to Desmond’s

Waaay back in the late 1980s, there was a comedy show called “Desmond’s”, following a family running a barber’s shop in Peckham. It aired from 1989 until the death of the lead actor, Norman Beaton, in 1994.

It would come to no surprise (to both of my regular readers anyway) that I was a fan of the theme tune, and of course, it’s one of the things that stood out to me. I loved it, and it was one of my favourite parts of the programme. It was one of those theme tunes that should have been released as a single, but it wasn’t.

Every year or so, I’d do a quick Google to see if a proper copy, or even an extended version of the theme had been leaked anywhere. Nope. The only things that ever turned up were just off-air, or off DVD recordings. Nothing more than the 45 seconds used at the start of the programme, and the instrumental bit used in the credits at the end. I came to the conclusion that it was only ever used on the programme, especially as it was co-written by the creator, Trix Worrell.

I think I went though one of these search things most recently anout a year ago, when for absolutely no reason, the theme started to be used in an advert for butter. This rekindled my love for the theme, and got me thinking, there had to be an “official” version. As the show ended in 1994, it’s unlikely that it would still exist some 26ish years later, and it certainly sounded better quality than it just being ripped from a copy of the programme.

Once again, I searched high and low (or rather, I searched Youtube), and found nothing. What’s even weirder, is that the full episodes that had been uploaded to Youtube now had the theme tune removed. How very, very odd. Considering that its only use outside of Desmonds was on a butter advert, it seemed very odd that it would just suddenly disappear like that. Obviously someone still owns the copyright to the song, so it could have just been that they didn’t want it on youtube, but why would they object to the theme being on there, but still allowing the rest of the episode to survive? It seemed clear that someone else had the rights to the song now, than what they did when Desmond’s was recorded. Were they planning a re-release?

Again, the trail went cold. No song, no videos on Youtube (except for poor quality versions), no more butter advert, and no release. I put it to the back of my mind. It was never going to see the light of day. A quarter of a century had gone by.

Now, I’ve been holed up for the past 4 weeks, thanks to an operation on my foot. I’ve barely been able to move off the sofa for a month, so I’ve became acquainted with an old friend called “Television”. Tonight (or yesterday by the time this makes it “to air”), I was watching The Chase, and the butter advert made a reappaearance. Just out of complete boredom, I flung “Don’t Scratch My Soca” into Google. Up came a result for Bandcamp. It was 3 minutes long. I didn’t expect much, just a fan remix or something like that. Imagine my surprise when, not only was it the proper version used on Desmond’s, it had a second verse! This was the moment I’d waited over 30 years for. All of the bits were there… the main theme, the bit they fade out when the episode starts, the end theme, and of course, that never-heard second verse. Daddykins, who happened to be enjoying The Chase, didn’t quite understand my excitement, as I fumbled with the remote, pausing his enjoyment of the afore-mentioned tea-time quiz show.

The track was released on June 21st, so only 9 days ago. Not only was it available as a free MP3, it’s possible to actually purchase it on vinyl (at the time of typing). A very small number were produced. 100 in colured vinyl, 200 in black vinyl, and a few white label test pressings. Well, I had to go for the coloured vinyl. I only ordered it today, so obviously, it hasn’t turned up yet. Might be a couple of weeks. Might be sooner. No doubt I’ll update when I have the record in my grasp.

Should you wish to hear the full theme, or even chance your arm at getting a vinyl copy, you can click here. Now, to give my fingers a rest, as typing this all into my phone hasn’t been the most comfortable experience.

EXTENSION: The theme was also written and produced by John Collins, and released under his “Local Records” label, which explains how / why the master recording survives. And, of course, it’s also available on Spotify

I asked some of the questionson the Local Records website too, such as when it was recorded, why it wasn’t released until now, etc.

Happy new year!

Hmm, we’ve already somehow made it to 2nd January without me posting my traditional HNY message. Normally I’d cue up a post to automatically appear at midnight, but my word, 2020 was such an embarrassment that I don’t think anything needed to be said at the time, and I’m pretty sure people had more things to do than read my bletherings at the stroke of midnight.

So, yeah. I’ve decided that I’m not going to follow up my 2020 posting with another one, as to be honest, I’d have struggled to say anything. the whole year is best forgotten if I’m honest. Onto a bit of musical statistics now.

2020 is the first year that my music collection has shrunk It’s hardly surprising, however, as I’ve barely been out of the house, but approximately 632 CDs / records were added to the collection, with 836 taken to the charity shops (or are waiting to be taken when they reopen). This is a trend I intend to continue into this year.

Right, so that’s it for now. Have yourselves a good one no matter what you’re up to.

Day 8 – Now That’s What I Call Music! 20

So, apparently I took the whole of July off, but don’t worry, I’m still perservering with this! Maybe I’ll have the last two typed up by the time the lockdown officially ends… assuming this blog is still going in 2028.

Well, we’re still in 1991, folks. After all, these are albums that shaped my music tastes, so I guess they have to be early on in the collection.

Let’s fast-forward a few months to Xmas of that same year. This was the last truly great xmas, as it was the last one I had with my mam. Also, the pick of prezzies I got that year were pretty amazing. Santa’s sack really must have been bulging that year.

Two main presents in this particular year… a Commodore 64 (yes, I’m aware I arrived very late to that particular party!) and finally, a hi-fi I could call my own! Something a lot more modern than the ancient thing I’d been using earlier on in the year. Thanks to the wonderment of the internet, I managed to find an image of that exact same hifi.

I had to lift the image off Gumtree, so apologies if the seller ever finds this site, but as you can see, it was an Alba jobby. It’s meant to look like all the parts are separate, but they’re not, they’re all moulded into one front cover. The speakers (not pictured) were the same height as the unit, and connected at the back via 3.5mm jacks, and there were two phono jacks for an auxiliary input. These would become useful later on.

I absolutely adored this thing. It wasn’t without its quirks, however. It had a very basic remote, which allowed volume up / down, and I genuinely think that was it. Everything else featured manual moving parts. At some point during this hi-fi’s life, we switched over from incandescent light bulbs to the early compact fluorescents. The slight issue was that they gave off light at the same frequency as the volume up / down control, so you’d turn the light on, and the volume would go right down to none. Therefore, the remote sensor ended up with a sticker over it for most of its life.

Although the tuner says “digital” on it, it wasn’t. It was still an analogue dial, with the readout given on an LED display. It didn’t come with a CD player – that got added the following year. Maybe that’s a story for parts 9 or 10… who knows?

This was a hi-fi built at a cost, and obviously 30 years later, it really does show, but being able to play records and takes, and listen to the radio, was all that mattered to me.

This was the first of the “Now!” albums to use the familiar style of logo. At the time of typing, we’re into the Now 100’s, and they’re still using a version of this. The font changed when they broke the 100 barrier, but it’s essentially the same.

I could sit and write the list out of what tracks are on there, but there’s 40 of them. Instead, I’ll just pick out the real gems… or at least the ones I like. Music is subjective, so you might agree, you might not.

Let’s start off with Side 1, Track 1… “Dizzy” by Vic Reeves and the Wonderstuff. a perfect remake to me…. nothing like the original, and this was also one of my early 7″ singles, given to me by my aunty. I’m sure I mentioned in here before that Chad taped over the first 30 seconds of this with the “Grease” soundtrack. He doesn’t remember, but I do! Actually, this has just triggered a really weird memory I can’t have been in senior school long, and there was some type of assembly going on, probably doubling up as a talent show., with some of the older kids dancing around to this, complete with cardboard “washing machine” props. For some reason, I always remember these props hanging around in a store cupboard somewhere (probably where they kept the basketballs as the gym was right next door), long after they’d served their one and only purchase.

Er, onto “Pet Shop Boys – Where The Streets Have No Name (Can’t Take My Eyes Off You)”. At the time, I didn’t even know this was a remake, never mind a parody of a U2 song. I thought this was great, and still do. I recently bought the extended version of “Behaviour” which has the extended version of this on. Still a cracking, if slightly obscure and forgotten track these days.

“Love To Hate You” and “Sailing On the Seven Seas are both cracking tracks too.

“Something Got Me Started” by Simply Red is a song that was a grower. I hated it when I first heard it. Now, I quite like it. I don’t think it’d ever make my dream jukebox, but I wouldn’t change the channel if it came on the radio. “Let’s Talk About Sex”, on the other hand, is to me, one of the worst songs ever recorded. I’d jump out of a two-storey window if that ever came on the radio in my presence. OK, slight exaggeration, but I really dislike this song.

To this day, I’m surprised of the inclusion of “Gett Off” by Prince. Considering these albums are ained towards the younger audience, some of those lyrics are a bit… “close”, shall we say? I remember being fascinated by the fact they reversed the “big ass” portion of the lyric, so it just sounded weird.

“Get Ready For This” by 2 Unlimited was the standout track for me. this was the one I looked at on Christmas Morning, and went “YES!” Or so I presume. I guess this was the most played song on this side.

This side finished with Moby’s “Go”, and the amazing “It’s Grim Up North” by the band usually known as KLF. This would have been a perfect tune to finish this side on, as it fades to therelaxing sound of birdsong, but no, they stuck “Set Adrift on Memory Bliss” on the end of it. Not a great song, but I knew of this before I knew of “True” by Spandau Ballet, so my mind was blown when I realised it heavily used a sample.

Turn the tape over, and you’re onto song #6 before there’s anything that’s remotely worth typing about. “Too Many Walls” by Cathy Dennis. I liked this particular track, and it was my first experience of her music. She now writes songs for other people, having many more chart hits this way.

“This House” by Alison Moyet was a dreary, forgettable song, instantly followed by “Walking In Memphis” by Marc Cohn. Another song I’d never heard before playing it on here. Lovely, clear lyrics. Great piano playing. If you held a gun to my head, I’d blast this out on karaoke…… without hesitation. I did always wonder this, though… “The lyrics, “Walking with my feet ten feet off of Beale” refers to Beale Street, an actual street in Memphis. Riley B. King became known as the “Beale Street Blues Boy” shortly after he first arrived in Memphis. Later, the nickname was shortened to B.B., and the rest is history.”. I’ll Posted on Categories Christmas / New Year, Music, ReminiscingTags , , 1 Comment on Day 8 – Now That’s What I Call Music! 20