BBC REH 387… Yes, it’s more theme tunes!

It’s a while since I’ve done a theme-music oriented post. This time it’s not from a CD, it’s from an LP, but not any old one, this one is from the 1980, and it’s as far as I can tell, it’s called “BBC Comedy themes”. Now, this record isn’t mine, unfortunately. Instead, it was thrust into my sweaty palms by Andy the Iridium Fan, and span on my turntable for approximately 38 minutes…

01. THE GOODIES THEME – The Goodies (1975, Bradleys, BRADL 1010)

I don’t particularly like this theme. I didn’t really like The Goodies. I was too young for them, and they haven’t been repeated for decades. (Note, hoewever, that they’re getting repeats on BBC2 this month). It’s just one of the tunes with sets of words that grate on me. Not listenable. Sorry.

02. FAWLTY TOWERS – The Dennis Wilson Quartet

There’s no release / catalogue data for this one, so presumably, it was never released “officially”. It’s a happy tune, then dark, then happy, then dark again. Slow. I have a feeling it’s one of those themes where a short piece of music was recorded for the show, then when the show becomes popular, the theme is extended to fill the space on a record. Rather the reverse of library music. If this was a piece of library music, I’d expect a bit more information on the sleeve.

03. THE LIKELY LADS (WHATEVER HAPPENED TO YOU?) – Highly Likely (1973, BBc Records, RESL 10)

These types of “theme” send shivers down my spine, as I absolutely love them. A proper song, written by the writer of the actual series itself. Famed for it’s chorus, “oooh, what happened to you, whatever happened to me, what became of the people, we used to be”.

This theme was remade many years later by the punk rock band “Snuff”, released under the title “Christmas Single”.

04. SOME MOTHER’S DO ‘AVE ‘EM – Ron Grainer (1978, Polydor, 2384.107)

Here’s a fascinating fact for you. Did you know that the theme tune for this show actually spells out “Some Mohters Do Ave Em” in morse code? Apparently, it does. Ronnie Hazelhurst, you absolute, but slightly dead, legend.

This particular track, however, is the perfect example of non-library filler music. According to this recording, the SMDAE theme is 18 seconds long. Unfortunately, after the end of the famous 18-second piccolo intro, the theme is transformed into some ungodly abomination of ‘jazz’, roughly based around the theme, complete with painfully out-of-place glockenspiel.

Originally, it was recorded for the 1978 album “Sixteen Small Screen Greats”. This album is still in existence somewhere, and this is what it looks like.

05. Q. 8. THEME – Spike Milligan + Ed Welch (1979, UNITED ARTISTS, UAG 30223)

I’m totally unfamilar with the show, but am in love with this theme. Ed Welch is one of my heroes. If I could shake his hand, I would. I didn’t even know this was one of his while the record was playing. One day, I’ll do a blog post about Ed Welch. This theme, apparently, is the main theme for the show, left to loop a couple of times, with Mr. Milligan providing some ad-libbing during the theme’s quiet parts.

06. STEPTOE AND SON (Old Ned), The Ron Grainer Orchestra, (1962, Pye 7N 45141)

This is the “famous” version of the theme, meaning that this is the version most likely to turn up if anyone mentions this particular theme. I didn’t realise it was particular recording was so old, but it is – conicidentally, ATIF brought round a Steptoe + Son soundtrack LP from 1962, and it was used on there too.

07. MONTY PYTHON (THE LIBERTY BELL) – The Band of The Welsh Guards (1971 BBC RESL 121)

As far as I know, this could have been the version used on the programme. It is, after all, released on the BBC record label. It’s the full thing though, therefore it doesn’t have the fart noise as the end. Not the same without this.

SIDE B

08. THEME FROM MASH – The Mash (1970, CBS 8536)

Accodring to the sleeve notes, the instrumental version of the theme was never officially released, therefore they’ve resorted to including the version released as a single. Thankfully, they didn’t go with the version listed on the Ronnie Hazelhurst album listed above.

09. DAD’S ARMY (WHO DO YOU THINK YOU ARE KIDDING MR. HITLER?) – Bud Flanagan (PYE 7N 17854)

Timed at just over a minute long, yet still one of the most recognisable themes on the album. It was recorded in 1969, and was the last recording from Bud Flanagan before he died. It’s not actually a war song. Play a few seconds of it to anyone, and it’s instantly recognisable. This is the “full” version, with the extra couple of lines worth of lyrics.

10. GOING STRAIGHT – Ronnie Barker (1978, EMI 2768)

The spin-off from Porridge, with its own sotry-telling theme tune. I’ve never seen the show, so not sure how much of it got used in the programme itself. It’s a jolly, rather humorous number. On a separate note, I was asked a quizzical question by someone at work… “what was the show that came after Porrige?” Not only could I give the title, I could sing the theme tune. I believe the personconcerned thought I was rather odd for knowing this, and he’d be right.

11. LAST OF THE SUMMER WINE (1978, POLYDOR 2384.107)

Oh dear. It’s another one from the afore-mentioned Ronnie Hazelhurst album. This is one of the few programmes I can think of, that for each episode, they just re-recorded the theme, along with the incidental music. Here’s an odd question I’m not expecting an answer to… did any other school “sing” this theme around the harvest festival time, as in, someone gave it lyrics? Something about eating bread…

12. THE LIVER BIRDS (ON A MOUNTAIN STANDS A LADY) – The Scaffold (1969 EMI PARLOPHONE 5812)

This particular recording formed the B side of the single “Gin Gan Goolie”, and only reached #38 in the charts. I know of the show, and know that it had the laaa-la-laaaa-laaa bit in it, but after checking youtube, it would appear this isn’t the version used in the programme – it had different lyrics, and a whistly bit at the start. No doubt, though, this was the base of the theme, but this recording is just a song, later adapted for the programme.

13. THE FALL AND RISE OF REGINALD PERRIN (1978 POLYDOR 3284.107)

As the album plays its penultimate track, I must admit to hating the last two themes. This one has the sickening combination of a show I don’t particularly know, awful 70s flutes, hideously twangy guitar, and a catalogue number of 3284.107. Yup, Ronnie Hazelhurst again. Now you may think I don’t like this guy. You’d be wrong, it’s just unfortunate they chose poor recordings for this album. I’m tempted to trawl ebay to see if I can get an original of the album, just to hear how bad the other tracks are.

14. IT AIN’T HALF HOT HOT MUM (MEET THE GANG) (1975 EMI EMC 3074)

By the time the show ended, I wasn’t even 2 years old. I can’t say I remember seeing a complete episode. I do, however, remember the “variety show” opening of the show. It’s the song they used to sing on that. It’s just not great.

So, there we are, 14 tracks. Some good, some bad, some I’d rather carve out of existence. It seems to follow the path of all of the other theme albums I’ve had the chance to listen to.

Pat Sharp, Mullet extraordinaire.

It’s not often I get set challenges to write on this blog. I believe the last one may have been about a Rice Krispie square. It’s buried in the archives somewhere. Anyway, I was having a discussion with a certain Mr. Dick Brown. you may remember him from the infamous website dick-brown.com. I’ve actually linked to the website, because, honestly, at the moment, the site looks better than its done since its inception.

Anyway, I’d like to say this was a drunken discussion, but unfortunately, no, we were both sat in Employment Palace. As the boredom took hold, he looked at me and said (or rather, emailed me) those infamous words…

“Was pat sharpes mullet the greatest hair cut ever? Please explain your answer and show your working out. ”

YES, is the answer to this, for Mr. Patrick Sharpin, was without doubt the king of mullets. Note, how I say, was, as in recent times, he has ditched the trademark mullet, and has since disappeared into obscurity. Imagine if Hitler Charlie Chaplin had shaved off his famous toothbrush moustache? Would he be as famous? I am quite sure the answer is quite simply no.

To prove this, we just have to take a quick look at “Fun House”. Mr. Sharp’s tea-time extravaganza, featuring all of the things important to an adolescent, watching telly on a friday afternoon whilst on a complete sugar rush that is expected to last all weekend. Yes, those things are go-karts, mess, people falling over, a huge padded obstacle course (which I would often dream about going into) and above-all, a presenter with a wacky hairstyle and a jolly personality.

It would be wrong of me to think of Mr. Sharp as simply just the presenter of Fun House. During the late eighties and early nineties, who can forget this foray into the pop charts, with such classics as his remake of “Use it up And Wear it Out” – a duo with Mick Brown. I actually owned this particular single. I use the past tense there, as it was so indescribably bad, it ended up getting thrown out. I do remember, however, that the cover featured Mr Sharp’s mullet. The label was an embossed silver colour, and I have no idea what the B side was.

Mr. Sharp was last spotted in an episode of Never Mind The Buzzcocks, unfortunately sans mullet.

In conclusion, I am happy that Mr. Sharp brought the mullet back to the publics attention. I never had the chance to grow one. That’s probably a good thing.

EDIT: Thanks to c64glen for finding a video on Youtube with Mr. Sharp, and Melanie + Martine…

Hard to believe the twins are nearly in their 40s…

The humble art of the mixtape…

I’m sure that calling it a “mixtape” is some type of American colloquialism, therefore I feel slightly dirty using it on my blog, but sod it, that’s what I’m going to call it. Those of you around my age will remember these, and the joy they used to bring you.

You give a friend a C90, it returns several days later, filled with questionable music. It was like the Napster of the Nineties. Or the eMule of the Eighties. And possibly the WinMX of the Sev… wait, that one doesn’t really work.

Andy the Iridium Fan is someone who still embraces the analogue era, and likes nothing more than to slap on his walkman, and ride around the streets of Hartlepool listening to his compilations of C120s, entitled “Music for the Weekend”.

You may know that I’m currently borrowing it a tape recorder of his, in the vain hope of getting the majority of my decaying tapes onto some type of digital media. This is a job not for the faint hearted. In payback for the loan of the tape deck, he thrust a C120 tape into my hand and DEMANDED I fill it with shit. OK, a little bit of artistic license there, I just had to fill it. Now, for obvious reasons, such as I don’t particularly want to be sued, I can’t divulge the contents of the afore-mentioned tape (Dear Lawyers, for all you know, it’s actually 120 minutes of me gargling in the bath), but choosing the tracks to go on there was extremely difficult.

I started the tape about 6 weeks ago, and only finished it two days ago. What was odd, is the complicated procedure that some of the songs…. no, sorry, sounds of me gargling in the bath, went through… it would have started life on record, recorded via USB turntable, compressed to MP3, written to CDR, played on CD player, recorded onto tape…. in fact, this tape…

It did drive one thing home, how much I missed the whole “mixtape” idea. With archives of entire music catalogues at our disposal at the click of a mouse, it seems that a once fine art is dying out, replaced with faceless playlists, on third-party websites. I still have tapes recorded for me by Chad, and I’m sure I’ve blogged about them in the past. As much as I hate to say it, these were my greatest influence when it comes to music I listen to 20 years later. In 2nd place, are the tapes Daddykins used to get from the petrol station. In fact, I’m listening to “No Regrets” by The Walker Brothers, which I first heard on one of those tapes.

And, for those of you of a nosey disposition, here’s a little behind-the-scenes look of me taking the above photo, courtesy of ATIF…

Resting my camera on a mug half-full of tea. Quinticenstally British. For those who have been following, I named my tape “Music For the Weak End 1”. I have no idea if there’ll be a follow-up.

UPDATE: March 2022… there was never a follow-up.

Click, bzzzt

If you couldn’t tell, that subject is supposed to be the sound of my internet connection initializing itself, and bringing me back from the dark ages before the internet became an integral part of my life… it has been an awful few days without it. A couple of readers may want to know what happened, especially as this caused the house phone to also go down. If you don’t, that’s fine.

They day is Tuesday, November 09th, 2010. I’m sat in the pub, celebrating the win of £15 on the pub’s version of “Play Your Cards Right”. I feel my phone vibrating, as if to say I’ve received an email. Indeed, I had. It was informing me that one of the websites I host on my home connection had gone offline. Oh well, shit happens, and I continue to pour my winnings down my neck. I’d sort it when I get home.

Later on in the evening, I get a lift home from Chris’s dad, and I notice one of the cable companies’ vans attending to one of the boxes a few streets from Mercuryvapour Towers. Well, that was the problem, and surely the interwebs shall start flowing like beer from a keg. Several hours later, and still no internet, I hit the sack, expecting everything to be rectified in the morning.

I awake, and inspect the modem’s diagnostic lights. Still nothing. Still dead. Daddykins had to go out on Wednesday morning to run an errand. He phoned me to inform me that there were 4 vans around the box where our connection fed into. It did seem a bit odd to have that many vans attending to what I thought was a simple fault with the box. I don some clothes, and head off to the shops. This was also so I could have a quick look at what was going on. I walked past, and noticed that the workmen had removed the entire guts of the cabinet At this point, I didn’t actually know the reason why they removed it.

Later on in the afternoon, I went out to grab the local paper, and also to attempt to get a photo of the affected cabinet.

At this point, I didn’t actually know what had happened. It wasn’t until I got back inside and took a closer look at the photo that I noticed something… the privet around the top of the cabinet was burnt…

It turned out that the issue was caused by a catastrophic failure in the cabinet’s electrics that caused it to burst into flames. Unfortunately, the particular cabinet was out of range of the windowcam, though you do see the fence over the road reflecting some of the fire’s light, a load of smoke, and a fire engine attend the scene some 6 minutes later. I’d do a timelapse, but I can’t be arsed.

If it wasn’t for my mobile, there is a very strong chance I could have went insane.

The latest Hartlepool fire

It seems that every week, something in our “wonderful little fishing village” spontaneously combusts, meaning that a plume of smoke can be seen for miles around, and we get a few minutes of notoriety on the local telly.

A few days ago, this indeed happened, but it was over the other side of the town, and I didn’t find out about it until it was much too late. Thankfully, Andy the Iridium Fan caught what just happened to be my favourite image of everything ever…

Yes, it’s a ruined Philips Streetfighter! Well, I say ruined, would you believe, after all that, it still actually worked? Even the photocell functioned correctly! As much as I hate them, this has got to say something about their build quality. Oh, and you can click the image if you want to see the large version.

And, it would appear that my upload speed at home has been upgraded from 768k to 2Mb. Can someone hand me a tissue?

Internet is up…

Like a phoenix rising from the flames of abject failure, I’m happy to report that my internet connection came up shortly after I’d posted the previous posting. Something that happened BEFORE the internet failure was a trip to Newcastle. I totally forgot it happened before the internet failure, meaning that all of the witty introductions for this post I’d thought of, are completely ruined. Fucksticks.

Last Monday, I’d offered to ‘rip’ some records Andy the Iridium fan, (who, I’ll refer to as ATIF, as usual… it’s easier to type), so on Monday evening, he came, clutching a bag of vinyl, all comprising of LP’s from Knotty Ash’s favourite funnyman, a certain Dr. Kenneth Arthur Dodd.

I was totally unaware that the comedian had released so many LPs, and only being familiar with his track “Happiness”, I was even more surprised to find that most of his tracks appeared to be depressing ballads that would make Roadiohead sound like a Black Lace record played at twice the speed. ATIF even went through the records, and also couldn’t come up with a happy track! It really did surprise me.

I was off work for the Tuesday, so plans were made to do something with the next day. Newcastle seemed like the perfect place. I’ve been to Newcastle quite a few times, but have never taken my Canon. I’ve also never been over the lower deck of the high Level Bridge, and I’ve never walked over the Tyne Bridge. 3 things had to be accomplished.

After converting some of the LPs to a digital format, ATIF left, and we planned to meet up at 9:30 at the station. Hartlepool’s station has sort-of went through a bit of a rebirth over the last few years, mainly thanks to the tall ships, however, it’s still a place I don’t like spending too much time on my own in. I arrived a little early, at 9:22. At least half an hour later, I was still wating outside. Thankfully, he arrived in time for the 10:02 train!

On the way into Newcastle, I started ‘Endomondo’ – an app/website that records your GPS location, then publishes it to their website. Here’s a view of what it recorded…

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The starting point is in the very bottom left (I was in the train at this point, probably should have waited until I got off), and the ending point is “outside the law courts” in the middle-right of the photo. I had to stop it then, because it didn’t occur to me just how much the afore-mentioned GPS app drained the battery.

However, it gave me enough information to track the journey. Unfortunately, the old record shop I’d visited a couple of years ago was no more. this was probably the most devastating part of the trip. Admittedly, I didn’t expect it to be there, but I’d have loved to have spent an hour flicking through its stock. A sign of the times, I suppose. There is a large square at the “2” marker on the above map. This was when we began to look for the entrace to Eldon Square, as ATIF needed to drain the main vein. We didn’t find one, as can be seen in the screenshot, we just sort of walked around it. Eventually, we gave up, and ended up in a branch of McDonalds pretty much where we started.

The next stop, and the first time for me to break out the camera happened by chance. I realised we were on the same road as the “High Level” Bridge. It’s two bridges on top of one another, for those who don’t know. Train tracks on top, road underneath. Also featured in “Get Carter”. I always wondered how you got onto the lower road deck. Was there a tunnel taking you to it? Seriously, not even Google Streetview could answer this question. Thankfully, my own photography can, and even though I took this on my mobile, it answers the question comprehensively…

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At the end of the bridge were three things. Someone had apparently finished off a bottle of cheap vodka and tabs. Could this be someone’s last goodbye? Wait, it’s Tesco vodka. Probably not.

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The second was the sad sight of an abandoned “Golden Tee 2005” arcade machine, in an old taxi office…

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Admittedly, I’ve not actually played that particular game, but I’ve heard that the Golden Tee series is really popular.

Next stop was Tyne Bridge. Although I’ve been over it many times in a car, I’d never actually walked across it, something that only occured to me whilst actually walking over the structure itself. For those unlucky enough to check the flickr profile, you’ll note I took loads of photos up here, but only a handful turned out to be any good. I showed Chris this one the other night, he ended up with vertigo from it.
Apparently, that must be one of the things I’m immune to!

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We walked around for a bit – stopping off at a shop for some refreshments. I was delighted to find a paper shop within shadow of the Tyne Bridge that sold refreshments at a reasonable price. Bottles of cherry tango for a cut-down price, and Walkers “Max” for a reasonable price. YES.

Off to dinner we went, sat on a stone bench outside the law courts. ATIF single-handedly rose the share price of Greggs by 1.7%, and came out with a bag of food that would put me on a good day to shame (Admittedly, I stopped going to Greggs when their prices rose every time I went in there). while I munched my crisps, and Mr. Iridium Fan devoured half the stock of the afore-mentioned bakery. We were joined by a “special” guest… Limpy the Pigeon.

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This was, as you guessed, a pigeon, whose left leg had became totally mangled in “something”. It apparently had no movement in the limb, and would attempt to walk on it, with very little success. It’s one of those “HAHAHAaaaaaawwwwww” moments. It’s probably dead now.

An update on my Steam purchases

Wow, I never thought, that at any point, I’d turn part of this site into some type of games review. I’ve never had time for them. I’d buy the odd game, and then never play it. I still have games I bought years ago, still wrapped in their plastic. Armed and Dangerous, anyone? I have that. On my shelf, still sealed.

Since my discovery of Steam a while ago, I’ve purchased many games. Quite a few of them cheap “indie” games, but a couple of full-price ones too.

You may remember my post a few months ago regarding my recent purchases from the afore-mentioned software distribution site… well, there’s been more since then.

Altitude – £3.49

I’d previously downloaded the demo, but didn’t rate it, probbaly because you couldn’t do much. Back then, it just looked like a cartoony shoot-em-up involving planes, with a bit of a dodgy control system.

Football was on the television the other day, and I needed something interesting to do. There was a “free weekend” of Altitude, where you got the full game for a weekend. It’s not a powerful game, so I was able to install it on my laptop. Even better was the fact it actually supported the Xbox 360 controller, meaning that my previous worries about the control system were solved.

I played through the training levels, and found myself actually enjoying the game. I connected online for the first time, and found myself enjoying the game even more. The more I played, the more I killed and unlocked new planes. A small sense of achievement was… erm, achieved, each time a plane fell out of the sky thanks to my gunfire.

Longevity is a bit of a question with this one, though. Will I still play it in a months time?

Just Cause 2 – £18.44 (inc. DLC)

No multiplayer in this one, but as a question of longevity… why, yes, I’ll still be playing it in a month. I’ll probably still play it in a year. It’s one of the best games I’ve played.

There’s no point going into the storyline. I could do, but I’d be here for literally minutes. The storyline, to me anyway is… blow shit up and kill the guys in uniform. And there’s a lot of shit to blow up. This game is absolutely massive. For some reason, it was half-price on Steam, and I really shouldn’t have bbought it. The demo ran awfully on my machine. It wasn’t until I’d clicked the “purchase” button that I realised how bad it run. Despite uttering “fuckshitpiss” for the entire length of the download process, I ran the game and found that yes, it also ran awfully. 30 seconds later, after adjusting the graphics settings accordingly, I had a working game!

This one suited mouse/keyboard controls, so I was able to get into it pretty quickly.

I’ve never experienced a time-eating game, but a few weeks ago, while Daddykins was away, I literally lost an entire day. The house was empty, so I didn’t bother getting dressed. I sat in my computer chair, naked, at approximately 8AM. Next time I looked at the clock, it was 4PM, and I was still naked. None of you needed to know that, I just thought I’d add the “cannot be unseen” element to this post.

You can also get mods for it, apparently.

I’ve just realised I’ve not described the gameplay at all in these few paragraphs. never mind, eh?

Chime – £3.99

Literally, a new release, coming out on September 6th, I bought this, oddly without downloading any demo, or knowing anything about the game, except the fact I knew I would like it. My instinct was spot on, I love it.

Gameplay is hard to describe without referring to Tetris, and a little-known arcade game called “Block Hole”, released by Konami in 1989. The premise of *that* game was to make quadrangles of any size – partial shapes would fall down, and you’d fill them in to make quadrangles.

Chime is similar in that you have to make quadrangles, enough to fill a large grid the size of the screen. Each piece you lay is 5 grid blocks in size. Make a quadrangle over some of the squares, those grid blocks are filled in. Ultimately, create a quadrangle on each block of the grid, you complete the level.

Obviously, it’s not as simple as that. You have 6 tracks of different tempo to choose from, each with its unique speed, grid shape, and block shape. Certain elements are controlled by a visible white bar that sweeps across the grid.

As I mentioned, each block is 5 grid sizes in length. If you complete a quadrangle, you get a certain amount of time to add pieces to it, building your score. After that time, if you fail to add to the quadrangle, you score the points, and you can’t add any more blocks to those grid locations until the white bar passes over them. You then get a limited amount of passes of the white bar before you lose your multiplier bonuses, and the pieces disappear.

Thankfully, the white bar also does good. If you have an active quadrangle, you will get an extra sample of music, adding to whichever track you’re playing. Sometimes this is a good thing, fitting in perfectly, but sometimes, it can sound like, as someone else described it, “a baby hitting a keyboard”.

Some of the music is pretty awesome. Now, I know that coming from me, that’s a bad sign, but I really mean it. Tracks are included by some well known artists, such as Moby, Philip Glass, and one of the guys from Orbital, Paul Hartnoll. The latter is my personal favourite track.

A lot of you will remember the “bonus” track featured in the PC version… “Still Alive” by Jonathan Coulton. I’m a bit amazed to notice that my version of Audiosurf also came with this track, which I’ve only just noticed a few seconds ago. Anyway, you should remember this was the end music in the original Portal. I’m shit at that game, so I’ll probably never complete it.

If I’ve not explained any of the above very well, then tough. Buy it. It’s simple to get into, and infuringatingly difficult to master, and some of your money will go to childrens charities. 5% of it… which works out at.. 20p?

Actually, speaking of Portal…

Portal – £0.00

Well, I got it free, and got up to level 15, then found it too hard. Still, I can listen to the important part of the soundtrack in two other games, so there’s no incentive to complete it.