I’ve got Eurosong fever, Ted…

Ahhh, yes. It’s the only Saturday night of the year I look forward to. It’s Eurovision night. the only night of the year where I can quite happily enjoy 20-odd songs of questionable garbage. And, as is tradition, I shall comment on here regarding my findings. So this post will look bare right now, but it will fill up as the night goes on, from when it all kicks off at 8. BRING ON THE CRAP!

Well, before it’s started, Status Quo have just been on the lottery. I’ve always had a soft spot for The Quo, and this isn’t bad. I’m not going to be running all the way to Amazon to buy it, but it if came on the radio, I wouldn’t turn it off. Though, chances of it actually being played on the radio are rather slim.

20:02: Oh dear. It’s a Eurovision butterfly.

20:05: Yeah, so they’re going through the buildup. They’re singing the new European anthem. Or something. It’s done by Avici and one of the blokes out of Abba.

20:14 – FRANCE

She really need to brush her hair. Song slightly reminds me of Black Velvet. I can’t remember the name of the song.

20:18 – LITHUANIA (Something)

That’s the song name. I missed part of the song while I went to get the laptop, but it was average.

20:29 Oh oh, oh oh a-ding-dong. I missed most of the last few minutes, I’ve just got my MP3 player to work properly.

20:31 – SPAIN (ESDM)

A song that stoarts off with bagpipes will either go one way or the other. It went the good way. I really liked that.

20:36 – BELGIUM

Poor guy looks like a young Chris De Burgh.

20:39 – ESTONIA

Oh, here we are, shitty, slow ballad that’ll probably do really well, even though it doesn’t deserve to. And dry ice.

20:43 – BELARUS

I’m sure this is on one of Shakira’s CDs. I like it. Except she appears to go Brummie… “When the sun is always shining on YAAAOW”. I missed the end of this song due to the fact iplayer crapped out.

09: MALTA

I realise it probably makes more sense to but the track number than the time.

10: RUSSIA (DINA GARIPOVA – WHAT IF)

I missed most of this, as I have broken the seal. didn’t seem to impressive

11: GERMANY

This wouldn’t sound out of place in a club somewhere. Come on, where are the daft songs? We’re up to number 11, and I haven’t cringed once.

12: ARMENIA

Composed by one of those blokes out of Black Sabbath. Hmm. Those flame effects are a bit yellow. they want to check for carbon monoxide right about there.

13: NETHERLANDS

Well, there was a brief pause there for a “comedy” film, and back to the songs. this is the worst one I’ve heard so far, which means, it’ll probably do really well. Slow, very little melody, and singer isn’t much of a looker. NEXT! Wow we’re half way through ,and I haven’t got bored of doing this yet. Hope you’re staying tuned.

14: ROMAINIA

Ah, here we go, the daft songs! Some bloke singing like an opera singer. I have no idea what he’s singing about.

15: GREAT BRITAIN

Here we go! I don’t know why they keep recycling old singers. Sponglebert Jumpydink last year, this year Bonnie Tyler. It’s the first time I’ve heard it, and so far it’s actually rather pedestrian. Where are the gimmicks? We wouldn’t have won in 1981 if it wasn’t for the miniskirts. We wouldn’t have won in 1997 if the singer wasn’t Canadian. It’s not great. but I do love Bonnie Tyler.

16: SWEDEN (ROBIN STJERNBERG – YOU

I usually have a soft spot for Sweden’s entries. One of my favourite songs is “Invincible / Evighet” by Carola. Unfortunately, this doesn’t meet up to the same standard as that.

17: HUNGARY

Yeah, I’m not always watching the screen, so to answer a question, that’s why I’m only putting certain track names in. the guy has glasses like I had when I was 8.

18: DENMARK

Apparently, this is the favourite to win it. Same with bagpipes. songles with penny whistles in them can go one way or another. I can see why this is the favourite, as I’m really, really liking it. Golden confetti really fucks with the iplayer stream.

19. ICELAND

Not bad, though the singer looks like the love child of Rick Wakeman, and Rod out of Rod, Jane & Freddy.

20 AZEJ…. AZJERBI…. ABERJI…. BORAT

Bloke in a box. Instant flashbacks of Peter Griffin cocking his leg and farting. What happens if there’s a fire and he needs to get out there? Now they’re filling the box with rose petals! Let’s hope the guy doesn’t have hay fever.

21: GREECE

A track called “Alcohol is Free”. and YES! This is the type of shit I was this for. Mad as a yard of mince. Douse Points!

22: UKRAINE

Singer carried on my 7′ 8″ bloke with size 24 feet. Big feet, big socks. I bet he can’t walk into Primani and get a back of five near the counter. Song forgettable.

23: ITALY

this was at number one for 8 weeks in Italy. I’d love to check the records and see when the last time we had a Eurovision song at number one BEFORE the contest. I’ll bet it’s a while ago. Music in Italy must be non-existant if this sold well. I don’t like it at all.

Is there a break soon? I need a wee.

24: NORWAY

Graham Norton’s just given his first warning about strobe effects. Now, so far before every song that uses them, it warns you with a big banner across the screen. Surely, if he’s giving the warning audibly, the only people who are listening, are those who can’t actually see, negating the need to audibly announce the strobing effects.

I’ve not actually listened to the song. I’m still trying to work the warning.

25: GEORGIA

It’s like a modern version of “Save Your Love”. One more song and then I can get a packet of Monster Munch and a piss. Not at the same time, might I add.

26: IRELAND

Normally they have good songs. Heavy percussion is a bonus, so I like the backing track but the song itself really isn’t amazeballs.

SONG’S FINISHED. To the toilet!

22:39
Right, here we go. Results time. 39 results to go.

22:49
29 results to go, and we’re second last, with one point. We need to pull out of this shit.

And, it was around that part of the night I gave up. We’d lost horribly, and I had some other things to play with, so I went off with those. We didn’t finish last. I think we were about 5th last. Can’t remember, don’t particularly care. Still, it was an enjoyable mess of songs. Some catchy, some complete dross, and some I’m actually considering buying. All in all, it’s been just like every other Eurovision. Except, it’s just not the same since Terry stopped doing it…

1980s ITV Athletics theme… (The Heat – Richard Myhill)

Some of you may remember this. Many of you won’t. I could probably copy and paste the following from many other articles I’ve written about my love of obscure themes, but I won’t.

Back in the days when ITV actually had some athletics coverage, they used a guitar/piano type theme, which as a kid, I adored. I instantly knew I was in for an afternoon / evening of… erm, athletics.

ITV revamped their coverage for the 1990 European Championships in Split, and this awesome theme was dropped. Unfortunately, no video exists of the introductions that use the theme on youtube, or anywhere else for that matter, except for a realplayer video I have. It’s 35 seconds long, and 655K in size. You can imagine the quality.

I’d never heard this music anywhere else (except in an advert played once on the radio when going down the A19 when I was about 7 or 8).

In a series of mind ramblings involving Shazam (that mobile phone app that attempts to guess which song you’re listening to), and its inability to name this particular track, I typed into Google, “ITV Athletics theme”. The first few results were for the newer theme (which I’ve already got), but one hit was from Amazon…

http://www.amazon.co.uk/ITV-Athletics/dp/B002X3LOB6

I took one look at the ‘CD cover’, and the generic name / artist of this track, and thought “Yeah, Okay. This is going to be an awful re-recording of something”.

I pressed play on the sample. The wallet flew out of my pocket quicker than what a Shearas Punjabi Wrap flies out of my body the morning after a night out. It’s amazingly the very same track!

For anyone with access to Spotify, here’s the link to the full track:-
Spotify Link

For the record…
00:00-00:30 seconds was never played
00:30-01:00 was the main theme
01:00-01:10 was the bit Jim Rosenthal used to talk over.

NOTE: The timings above are entirely wrong, as I failed to notice a subtle edited loop in the original theme, despite listening to the track constantly for around an hour.

The rest of the track was rarely played, but occasionally edited for random purposes such as viewer competitions, etc.

I thought for many years it was by Argent/Van Hooke, as they knocked out many themes for ITV around this time, but no, it’s actually by the same guy who did the famous 1970s-2000s Grandstand theme, Keith Mansfield.

EDIT 2: It’s not Keith Mansfield, it’s Richard Myhill, and is entitled “The Heat” from his record “Out Front”. the confusion probably came about by whoever released this, because it was featured on the KPM record library.

Right now, I want to be stood in the middle of an athletics track, in the pouring rain, looking slightly pissed off and uttering those immortal words… “Hello, from Brussels”…

Polydor 2384 107! I has it!

OK, I haven’t even started the blog, and I’ve already confused at least one of my viewers. What the hell is “Polydor 2384 107”, I hear you cry? You may remember a few months ago, I did one of my “Theme Music Appreciation” posts, where I reviewed a “BBC Themes” album I’d borrowed off Andy The Iridium Fan.

Some of the worst tracks came from another album entitled “Sixteen Small Screen Greats”, with the “Polydor 2384 107” catalogue number. I commented on how I’d like to get my hands on a copy just to hear the rest of the tracks… well, thanks to a case of finding a virtual needle in a haystack, I now have a copy right in front of me.

ATIF recently acquired a large collection of records and CDs, and I was invited over to Iridium Mansion to have a flick through and take what I wanted. The records were located in the attic, which was only partially lit. Now, for most people this would be a problem, but not for ATIF. He came upstairs to the attic, carrying a Phosco P678 streetight. It was plugged into the wall socket, and the CD/record browsing commenced…


The first photo contains streetlights, records, CDs, and a packet of Maynards Wine Gums. All this photo needs, is a pint of beer, a vindaloo and a pair of tits, and I’d had been in heaven.

Very quickly after a short flick through the CDs and records, I found that the original owner of the records and CDs was an avid theme music collector, which means that there was a lot of old 1980s TV theme vinyl in there, and some of them were brilliant. There was a load of the re-recorded variety, but several were the “genuine article”

Aside from the afore-mentioned Ronnie Hazelhurst LP, I pulled out a number of different albums, including “The TV Hits Album”, released on Towerbell Records, volumes 1 and 2. I had downloaded these particular albums (naughty naughty) as horribly compressed and scratched MP3s, so I knew the tracks included were genuine. The vinyl on these, as with all of the records, is mint, so I now have a copy of Su Pollard’s “Starting Together” to call my own… that is, if my record player’s stylus wasn’t running low on sharpness.

Speaking of Stylus, there was one of the theme albums released under the “Stylus” record label. I’ve had ‘bad’ records from this company in the past, where the tracks are either edited down, or re-recorded, so I wasn’t expecting much. I slapped it on the turntable, and played Track 1, the “Cagney And Lacey” theme. It’s a piece of music I like, but have never been able to track down the version used on the programme. I pressed play. The turntable sprang into life. The sax intro plays…. it sounds almost genuine. The main theme kicks in, and the hairs on the back of my neck stand up. It’s the exact version used on the programme, even down to the seldom-noticed xylophone / glockenspiel / whatever percussion instrument it is, barely audible, 40 – 52 seconds into it. Any re-recording would have lost this entirely. There’s also the piano buried back there too, just like every good 80s TV theme.

Er, anyway. there is a reason why the C+L theme is almost impossible to track down on CD… it’s because it was recorded in mono, and it’s 1′ 15″ in length. Every version commercially available on CD is re-recorded, made longer and recorded in stereo. Don’t tamper with the classics, eh?

My plastic-browsing was brought to a temporary, yet abrupt halt, when the streetlight providing our illumination, suddenly went phut, and plunged the entire attic (and the rest of Iridium Mansion) into darkness, with the only illumination coming from the red-hot, yet slowly cooling arc tube. Within seconds, bellows of “ANDREW!” came from downstairs… Now, there could be a couple of things that caused the leccy in his house to trip. His parents seemed to think he was toying with something, but at the time I knew he wasn’t, he was sorting some photos at the time. My opinion wasn’t asked, so I kept out of it. Should it be needed in the future, when the lights went out, ATIF was looking at photos. I was looking at CDs, Neither of us were holding screwdrivers. Bit late now, but still, Awwwwkward.

For the first time ever, my phone came to the rescue. I thought its “flashlight” feature was a jokey gimmick. Honestly, it’s not. It’s not the brightest thing in the world, but my word, it’s worth its weight in LEDs.

The visit to ATIF’s ended as usual, with the obligatory photo of me holding a streetlight. This time, I went for the SOX variant of the GEC Z567x series…

Yes, I’m quite aware my hair needs cutting…

Music from the Thomas Cook advert

Wow, starting as I mean to go on, eh? This is my hundredth blog post so far this year… or at least it feels like it. anyway, this is a very quick update, mainly for my own benefit, but the music on the current Thomas Cook advert, with its wispy guitars, is “The Sea”, by Morcheeba.

I know it from something else, or at least I know that guitar riff. I probably have it on CD somewhere, I’ve bought a load of chillout albums over the years.

The best bit of television ever…

We interrupt the “Best of 2010” posts, to bring you, what for me has to be the funniest bit of live television ever.

On the run up to midnight last night , Sky News had someone reporting live in Edinburgh, amongst the crowds of drunken revellers. You can already see where this is going…

First person he interviewed, some old guy, said he came up to Scotland because they know how to celebrate mahogany.

Second person was some woman, totally off-her-tits drunk, screamed that she came up to Scotland to “get pissed”.

Third and final guy was from New Zealand said “Hey, it’s facking cold”.

None of it is on Youtube yet, but I’m keeping my eyes peeled that someone recorded this quality bit of broadcast.

BBC REH 387… Yes, it’s more theme tunes!

It’s a while since I’ve done a theme-music oriented post. This time it’s not from a CD, it’s from an LP, but not any old one, this one is from the 1980, and it’s as far as I can tell, it’s called “BBC Comedy themes”. Now, this record isn’t mine, unfortunately. Instead, it was thrust into my sweaty palms by Andy the Iridium Fan, and span on my turntable for approximately 38 minutes…

01. THE GOODIES THEME – The Goodies (1975, Bradleys, BRADL 1010)

I don’t particularly like this theme. I didn’t really like The Goodies. I was too young for them, and they haven’t been repeated for decades. (Note, hoewever, that they’re getting repeats on BBC2 this month). It’s just one of the tunes with sets of words that grate on me. Not listenable. Sorry.

02. FAWLTY TOWERS – The Dennis Wilson Quartet

There’s no release / catalogue data for this one, so presumably, it was never released “officially”. It’s a happy tune, then dark, then happy, then dark again. Slow. I have a feeling it’s one of those themes where a short piece of music was recorded for the show, then when the show becomes popular, the theme is extended to fill the space on a record. Rather the reverse of library music. If this was a piece of library music, I’d expect a bit more information on the sleeve.

03. THE LIKELY LADS (WHATEVER HAPPENED TO YOU?) – Highly Likely (1973, BBc Records, RESL 10)

These types of “theme” send shivers down my spine, as I absolutely love them. A proper song, written by the writer of the actual series itself. Famed for it’s chorus, “oooh, what happened to you, whatever happened to me, what became of the people, we used to be”.

This theme was remade many years later by the punk rock band “Snuff”, released under the title “Christmas Single”.

04. SOME MOTHER’S DO ‘AVE ‘EM – Ron Grainer (1978, Polydor, 2384.107)

Here’s a fascinating fact for you. Did you know that the theme tune for this show actually spells out “Some Mohters Do Ave Em” in morse code? Apparently, it does. Ronnie Hazelhurst, you absolute, but slightly dead, legend.

This particular track, however, is the perfect example of non-library filler music. According to this recording, the SMDAE theme is 18 seconds long. Unfortunately, after the end of the famous 18-second piccolo intro, the theme is transformed into some ungodly abomination of ‘jazz’, roughly based around the theme, complete with painfully out-of-place glockenspiel.

Originally, it was recorded for the 1978 album “Sixteen Small Screen Greats”. This album is still in existence somewhere, and this is what it looks like.

05. Q. 8. THEME – Spike Milligan + Ed Welch (1979, UNITED ARTISTS, UAG 30223)

I’m totally unfamilar with the show, but am in love with this theme. Ed Welch is one of my heroes. If I could shake his hand, I would. I didn’t even know this was one of his while the record was playing. One day, I’ll do a blog post about Ed Welch. This theme, apparently, is the main theme for the show, left to loop a couple of times, with Mr. Milligan providing some ad-libbing during the theme’s quiet parts.

06. STEPTOE AND SON (Old Ned), The Ron Grainer Orchestra, (1962, Pye 7N 45141)

This is the “famous” version of the theme, meaning that this is the version most likely to turn up if anyone mentions this particular theme. I didn’t realise it was particular recording was so old, but it is – conicidentally, ATIF brought round a Steptoe + Son soundtrack LP from 1962, and it was used on there too.

07. MONTY PYTHON (THE LIBERTY BELL) – The Band of The Welsh Guards (1971 BBC RESL 121)

As far as I know, this could have been the version used on the programme. It is, after all, released on the BBC record label. It’s the full thing though, therefore it doesn’t have the fart noise as the end. Not the same without this.

SIDE B

08. THEME FROM MASH – The Mash (1970, CBS 8536)

Accodring to the sleeve notes, the instrumental version of the theme was never officially released, therefore they’ve resorted to including the version released as a single. Thankfully, they didn’t go with the version listed on the Ronnie Hazelhurst album listed above.

09. DAD’S ARMY (WHO DO YOU THINK YOU ARE KIDDING MR. HITLER?) – Bud Flanagan (PYE 7N 17854)

Timed at just over a minute long, yet still one of the most recognisable themes on the album. It was recorded in 1969, and was the last recording from Bud Flanagan before he died. It’s not actually a war song. Play a few seconds of it to anyone, and it’s instantly recognisable. This is the “full” version, with the extra couple of lines worth of lyrics.

10. GOING STRAIGHT – Ronnie Barker (1978, EMI 2768)

The spin-off from Porridge, with its own sotry-telling theme tune. I’ve never seen the show, so not sure how much of it got used in the programme itself. It’s a jolly, rather humorous number. On a separate note, I was asked a quizzical question by someone at work… “what was the show that came after Porrige?” Not only could I give the title, I could sing the theme tune. I believe the personconcerned thought I was rather odd for knowing this, and he’d be right.

11. LAST OF THE SUMMER WINE (1978, POLYDOR 2384.107)

Oh dear. It’s another one from the afore-mentioned Ronnie Hazelhurst album. This is one of the few programmes I can think of, that for each episode, they just re-recorded the theme, along with the incidental music. Here’s an odd question I’m not expecting an answer to… did any other school “sing” this theme around the harvest festival time, as in, someone gave it lyrics? Something about eating bread…

12. THE LIVER BIRDS (ON A MOUNTAIN STANDS A LADY) – The Scaffold (1969 EMI PARLOPHONE 5812)

This particular recording formed the B side of the single “Gin Gan Goolie”, and only reached #38 in the charts. I know of the show, and know that it had the laaa-la-laaaa-laaa bit in it, but after checking youtube, it would appear this isn’t the version used in the programme – it had different lyrics, and a whistly bit at the start. No doubt, though, this was the base of the theme, but this recording is just a song, later adapted for the programme.

13. THE FALL AND RISE OF REGINALD PERRIN (1978 POLYDOR 3284.107)

As the album plays its penultimate track, I must admit to hating the last two themes. This one has the sickening combination of a show I don’t particularly know, awful 70s flutes, hideously twangy guitar, and a catalogue number of 3284.107. Yup, Ronnie Hazelhurst again. Now you may think I don’t like this guy. You’d be wrong, it’s just unfortunate they chose poor recordings for this album. I’m tempted to trawl ebay to see if I can get an original of the album, just to hear how bad the other tracks are.

14. IT AIN’T HALF HOT HOT MUM (MEET THE GANG) (1975 EMI EMC 3074)

By the time the show ended, I wasn’t even 2 years old. I can’t say I remember seeing a complete episode. I do, however, remember the “variety show” opening of the show. It’s the song they used to sing on that. It’s just not great.

So, there we are, 14 tracks. Some good, some bad, some I’d rather carve out of existence. It seems to follow the path of all of the other theme albums I’ve had the chance to listen to.

Pat Sharp, Mullet extraordinaire.

It’s not often I get set challenges to write on this blog. I believe the last one may have been about a Rice Krispie square. It’s buried in the archives somewhere. Anyway, I was having a discussion with a certain Mr. Dick Brown. you may remember him from the infamous website dick-brown.com. I’ve actually linked to the website, because, honestly, at the moment, the site looks better than its done since its inception.

Anyway, I’d like to say this was a drunken discussion, but unfortunately, no, we were both sat in Employment Palace. As the boredom took hold, he looked at me and said (or rather, emailed me) those infamous words…

“Was pat sharpes mullet the greatest hair cut ever? Please explain your answer and show your working out. ”

YES, is the answer to this, for Mr. Patrick Sharpin, was without doubt the king of mullets. Note, how I say, was, as in recent times, he has ditched the trademark mullet, and has since disappeared into obscurity. Imagine if Hitler Charlie Chaplin had shaved off his famous toothbrush moustache? Would he be as famous? I am quite sure the answer is quite simply no.

To prove this, we just have to take a quick look at “Fun House”. Mr. Sharp’s tea-time extravaganza, featuring all of the things important to an adolescent, watching telly on a friday afternoon whilst on a complete sugar rush that is expected to last all weekend. Yes, those things are go-karts, mess, people falling over, a huge padded obstacle course (which I would often dream about going into) and above-all, a presenter with a wacky hairstyle and a jolly personality.

It would be wrong of me to think of Mr. Sharp as simply just the presenter of Fun House. During the late eighties and early nineties, who can forget this foray into the pop charts, with such classics as his remake of “Use it up And Wear it Out” – a duo with Mick Brown. I actually owned this particular single. I use the past tense there, as it was so indescribably bad, it ended up getting thrown out. I do remember, however, that the cover featured Mr Sharp’s mullet. The label was an embossed silver colour, and I have no idea what the B side was.

Mr. Sharp was last spotted in an episode of Never Mind The Buzzcocks, unfortunately sans mullet.

In conclusion, I am happy that Mr. Sharp brought the mullet back to the publics attention. I never had the chance to grow one. That’s probably a good thing.

EDIT: Thanks to c64glen for finding a video on Youtube with Mr. Sharp, and Melanie + Martine…

Hard to believe the twins are nearly in their 40s…